Profil Görüntüleri
| Doğum yeri | Indianapolis, Indiana, USA |
| Doğum günü | 1902-12-24 |
| Ölüm | 1969-02-26 |
| Ayrıca şöyle bilinir | Woody Bredell Elwood Burdell |
Oy
Elwood Bailey Bredell (24 December 1902 – 26 February 1969) was an American cinematographer and child silent screen actor. He is sometimes credited as Woody Bredell or Elwood Dell. Although he worked in many genres, mostly at Universal, Bredell is best known for his film noir cinematography on such movies as Phantom Lady (1944), Lady on a Train (1945) The Killers (1946), and The Unsuspected (1947). Famed Warner Bros. editor George Amy said Bredell could “light a football stadium with a single match.” Bredell was the son of stage actress Mary Palmer Nields. He was named Jesse B. Bredell, Jr., after his father. Nields later married Vaughn "Val" Paul, a silent film actor turned production manager. (Paul's son with Nields, Vaughn Jr., was Deanna Durbin's first husband.) After working as an adolescent actor in silent films, Bredell took a job as a studio lab technician while he cultivated a talent for photography. From about 1929–34, Bredell worked as a still photographer at RKO and Paramount, coinciding with his stepfather's tenures at those studios. At Paramount, Bredell apprenticed under veteran cinematographers Charles Lang and Arthur C. Miller. In 1936, Val Paul brought Bredell to Universal, where he continued his training under the studio's best cinematographer, Joseph Valentine. Bredell was promoted to cinematographer the next year, when Val produced Reckless Living (1938). Bredell's work on horror films such as Black Friday (1940), The Mummy's Hand (1940), and Ghost of Frankenstein (1942), anticipated his work in film noir. He also photographed Deann Durbin musicals and comedies such as Hold That Ghost (1941), Hellzapoppin' (1941) and The Inspector General (1949). His final credit was on the 1955 B-movie Female Jungle. From the Wikipedia article 'Elwood Bredell'
Oyuncu
| 1918 | The Magic Eye as Cordy (as Elwood Burdell) |
| 1917 | Southern Justice as Daws Anthony |
Diğer Roller
| 1956 | Female Jungle - Director of Photography |
| 1951 | Journey Into Light - Director of Photography |
| 1949 | The Inspector General - Director of Photography |
| 1948 | Adventures of Don Juan - Director of Photography |
| 1948 | Romance on the High Seas - Director of Photography |
| 1947 | The Unsuspected - Director of Photography |
| 1946 | Katiller - Director of Photography |
| 1946 | Tangier - Director of Photography |
| 1946 | Smooth as Silk - Director of Photography |
| 1945 | Lady on a Train - Director of Photography |
| 1944 | Can't Help Singing - Director of Photography |
| 1944 | Christmas Holiday - Director of Photography |
| 1944 | Phantom Lady - Director of Photography |
| 1943 | His Butler's Sister - Director of Photography |
| 1943 | So's Your Uncle - Director of Photography |
| 1943 | Hers to Hold - Director of Photography |
| 1943 | Cowboy in Manhattan - Director of Photography |
| 1943 | Follow the Band - Director of Photography |
| 1943 | The Amazing Mrs. Holliday - Director of Photography |
| 1943 | How's About It - Director of Photography |
| 1942 | Sherlock Holmes and the Voice of Terror - Director of Photography |
| 1942 | Private Buckaroo - Director of Photography |
| 1942 | Tough as They Come - Director of Photography |
| 1942 | Escape from Hong Kong - Director of Photography |
| 1942 | The Mystery of Marie Roget - Director of Photography |
| 1942 | The Strange Case of Doctor Rx - Director of Photography |
| 1942 | Butch Minds the Baby - Director of Photography |
| 1942 | The Ghost of Frankenstein - Director of Photography |
| 1941 | Hellzapoppin' - Director of Photography |
| 1941 | South of Tahiti - Director of Photography |
| 1941 | Mob Town - Director of Photography |
| 1941 | Hold That Ghost - Director of Photography |
| 1941 | Horror Island - Director of Photography |
| 1941 | Man-Made Monster - Director of Photography |
| 1940 | The Invisible Woman - Director of Photography |
| 1940 | The Mummy's Hand - Director of Photography |
| 1940 | La Conga Nights - Director of Photography |
| 1940 | Gangs of Chicago - Director of Photography |
| 1940 | Double Alibi - Director of Photography |
| 1940 | Black Friday - Director of Photography |
| 1939 | The Big Guy - Director of Photography |
| 1939 | Call a Messenger - Director of Photography |
| 1939 | Two Bright Boys - Director of Photography |
| 1939 | Ex-Champ - Director of Photography |
| 1937 | Behind the Mike - Director of Photography |
| 1934 | Thirty Day Princess - Still Photographer |
| 1933 | She Done Him Wrong - Still Photographer |
| 1933 | The Billion Dollar Scandal - Still Photographer |
| 1932 | The Devil Is Driving - Still Photographer |
| 1927 | Snowbound - Director of Photography |
Duvar