Hermann Warm was a German art director for films. Born in 1889 (died 1976) in Berlin, Germany, Warm was an important figure in the expressionist movement of the 1920s. Warm entered the German film industry in 1912 after working on-stage for a while. As well as doing set work on films such as The Cabinet of Dr. Caligari and Fritz Lang's Destiny, Warm also worked with Danish film director Carl Theodor Dreyer on films including The Passion of Joan of Arc and Vampyr. During World War II, Warm lived in Switzerland and returned to Germany in 1947.
Diğer Roller
| 1960 | Die Botschafterin - Production Design |
| 1959 | Die Wahrheit über Rosemarie - Production Design |
| 1959 | Die Nackte und der Satan - Production Design |
| 1958 | Helden - Production Design |
| 1954 | Der Raub der Sabinerinnen - Production Design |
| 1953 | Hokuspokus - Production Design |
| 1953 | Vergiß die Liebe nicht - Production Design |
| 1949 | Tragödie einer Leidenschaft - Art Direction |
| 1948 | Morituri - Production Design |
| 1947 | Wozzeck - Art Direction |
| 1938 | Verwehte Spuren - Construction Manager |
| 1937 | Gefährliches Spiel - Production Design |
| 1935 | Mazurka - Art Direction |
| 1934 | Wenn ich König wär - Art Direction |
| 1932 | Vampir - Art Direction |
| 1931 | Stamboul - Production Design |
| 1931 | Der Herr Finanzdirektor - Art Direction |
| 1930 | Dreyfus - Art Direction |
| 1930 | Fundvogel - Production Design |
| 1930 | Es kommt alle Tage vor... - Production Design |
| 1930 | Freiheit in Fesseln - Production Design |
| 1928 | Eine Nacht In London - Art Direction |
| 1928 | Liebe - Art Direction |
| 1928 | Jeanne d'Arc'ın Tutkusu - Art Direction |
| 1927 | Die Insel der verbotenen Küsse - Art Direction |
| 1926 | Die Flucht in die Nacht - Art Direction |
| 1923 | Der Kaufmann von Venedig - Art Direction |
| 1923 | Der letzte Kampf - Production Design |
| 1923 | Rivalen - Art Direction |
| 1921 | Zirkus des Lebens - Art Direction |
| 1921 | Der müde Tod - Art Direction |
| 1921 | Die Jagd nach dem Tode - 4. Teil: Die Goldmine von Sar-Khin - Art Direction |
| 1921 | Schloß Vogelöd - Art Direction |
| 1921 | Die Jagd nach dem Tode - 3. Teil: Der Mann im Dunkel - Art Direction |
| 1920 | Die Augen der Maske - Production Design |
| 1920 | Das Blut der Ahnen - Production Design |
| 1920 | Der Richter von Zalamea - Art Direction |
| 1920 | Die Jagd nach dem Tode - 2. Teil: Die verbotene Stadt - Art Direction |
| 1920 | Die Jagd nach dem Tode - 1. Teil - Production Design |
| 1920 | Dr. Caligari'nin Muayenehanesi - Production Design |
| 1919 | Der Totentanz - Production Design |
| 1919 | Die Pest in Florenz - Art Direction |
| 1919 | Die Spinnen, 1. Teil - Der Goldene See - Production Design |
| 1919 | Die Insel der Glücklichen - Production Design |
| 1918 | Die blaue Mauritius - Art Direction |
| 1918 | Der Volontär - Production Design |
| 1915 | Der Tunnel - Production Design |
| 1914 | Der Hund von Baskerville - Production Design |
| 1914 | Die Millionenmine - Art Direction |
| 1913 | Die blaue Maus - Production Design |
| 1913 | Der letzte Tag - Production Design |
| 1913 | Wo ist Coletti? - Art Direction |
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