Profil Görüntüleri
1 Görüntüler
| Doğum yeri | Krakau, Galicia, Austria-Hungary [now Kraków, Malopolskie, Poland] |
| Doğum günü | 1898-01-21 |
| Ölüm | 1964-10-27 |
| Ayrıca şöyle bilinir | Rudolphe Mate Rudy Maté Rudolf Mayer |
Oy
Rudolph Maté, A.S.C. (21 January 1898 – 27 October 1964), born Rudolf Matheh or Mayer, was an accomplished cinematographer and film director. Born in Kraków (then in Austria-Hungary, now in Poland), Maté started in the film business after his graduation from the University of Budapest. He went on to work as an assistant cameraman in Hungary and later throughout Europe, sometimes with noted colleague Karl Freund. Maté worked on several of Carl Theodor Dreyer's films including The Passion of Joan of Arc (1928) and Vampyr (1932) which led to his being hired as director of photography on a number of prominent films. Maté worked as cinematographer on Hollywood films from the mid-1930s, including Dodsworth (1936), the Laurel and Hardy feature Our Relations (1936) and Stella Dallas (1937). He was nominated for the Academy Award for Best Cinematography in five consecutive years, for Foreign Correspondent (1940), That Hamilton Woman (1941), The Pride of the Yankees (1942), Sahara (1943), and Cover Girl (1944). In 1947, he turned to directing films, his credits include When Worlds Collide (1951), the film noir classic D.O.A. and No Sad Songs for Me (both 1950). Directed by Maté, The 300 Spartans is a 1962 film depicting the Battle of Thermopylae. Made with the cooperation of the Greek government, it was shot in the village of Perachora in the Peloponnese. He died from a heart attack in Hollywood on October 27, 1964 at the age of 66.
Oyuncu
| 1953 | The World's Most Beautiful Girls as Self |
Diğer Roller
| 1963 | Αλίκη αγάπη μου - Director |
| 1962 | Il dominatore dei sette mari - Director |
| 1962 | 300 Spartalı Kahraman - Director |
| 1960 | The Barbarians - Director |
| 1959 | For the First Time - Director |
| 1958 | The Deep Six - Director |
| 1956 | Aşk ve Kin - Director |
| 1956 | The Rawhide Years - Director |
| 1956 | Port Afrique - Director |
| 1956 | Miracle in the Rain - Director |
| 1955 | The Far Horizons - Director |
| 1955 | Öfkeli Adam - Director |
| 1954 | The Black Shield of Falworth - Director |
| 1954 | The Siege at Red River - Director |
| 1953 | Forbidden - Director |
| 1953 | Second Chance - Director |
| 1953 | The Mississippi Gambler - Director |
| 1952 | Sally and Saint Anne - Director |
| 1952 | Paula - Director |
| 1952 | The Green Glove - Director |
| 1951 | When Worlds Collide - Director |
| 1951 | The Prince Who Was a Thief - Director |
| 1950 | Branded - Director |
| 1950 | Union Station - Director |
| 1950 | No Sad Songs for Me - Director |
| 1949 | Esrar Perdesi - Director |
| 1948 | The Dark Past - Director |
| 1948 | The Return of October - Producer |
| 1947 | It Had to Be You - Director |
| 1947 | It Had to Be You - Director of Photography |
| 1947 | Aşağı Dünya'ya - Director of Photography |
| 1946 | Şeytanın Kızı Gilda - Director of Photography |
| 1945 | Over 21 - Director of Photography |
| 1945 | Tonight and Every Night - Director of Photography |
| 1944 | Address Unknown - Director of Photography |
| 1944 | Kapak Kızı - Director of Photography |
| 1943 | Sahra - Director of Photography |
| 1943 | They Got Me Covered - Director of Photography |
| 1942 | Yankeeler'in Gururu - Director of Photography |
| 1942 | Olmak ya da Olmamak - Director of Photography |
| 1941 | It Started with Eve - Cinematography |
| 1941 | The Flame of New Orleans - Cinematography |
| 1941 | That Hamilton Woman - Director of Photography |
| 1940 | Seven Sinners - Director of Photography |
| 1940 | Yabancı Muhabir - Director of Photography |
| 1940 | My Favorite Wife - Director of Photography |
| 1939 | The Flying Deuces - Production Assistant |
| 1939 | The Real Glory - Director of Photography |
| 1939 | Love Affair - Director of Photography |
| 1938 | Trade Winds - Director of Photography |
| 1938 | Blockade - Director of Photography |
| 1938 | The Adventures of Marco Polo - Director of Photography |
| 1937 | Stella Dallas - Director of Photography |
| 1937 | Outcast - Director of Photography |
| 1936 | Come and Get It - Director of Photography |
| 1936 | Dodsworth - Director of Photography |
| 1936 | Our Relations - Director of Photography |
| 1936 | A Message to Garcia - Director of Photography |
| 1936 | Charlie Chan's Secret - Director of Photography |
| 1935 | Professional Soldier - Director of Photography |
| 1935 | Metropolitan - Director of Photography |
| 1935 | Dressed to Thrill - Director of Photography |
| 1935 | Navy Wife - Director of Photography |
| 1934 | Le Dernier Milliardaire - Director of Photography |
| 1934 | Liliom - Director of Photography |
| 1933 | König Pausole - Director of Photography |
| 1933 | Dans les rues - Director of Photography |
| 1932 | La Belle Marinière - Cinematography |
| 1932 | Insult - Director of Photography |
| 1932 | Monsieur Albert - Director of Photography |
| 1932 | Vampir - Director of Photography |
| 1932 | Lily Christine - Director of Photography |
| 1932 | Aren't We All? - Cinematography |
| 1932 | Aren't We All? - Director of Photography |
| 1931 | Le roi du camembert - Cinematography |
| 1930 | Prix de beauté - Cinematography |
| 1928 | Jeanne d'Arc'ın Tutkusu - Director of Photography |
| 1924 | Michael - Director of Photography |
| 1923 | Der Kaufmann von Venedig - Director of Photography |
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