Profil Görüntüleri
| Doğum yeri | Pennsylvania, USA |
| Doğum günü | 1907-04-17 |
| Ölüm | 1999-12-13 |
| Ayrıca şöyle bilinir | Morris Gertsman Maury Gertzman |
Oy
From Wikipedia Maury Gertsman (17 April 1907 - 13 December 1999) was a senior-ranked cinematographer at Universal Pictures from the mid-1940s through the mid-1950s. Gertsman's first film of note was Jungle Captive and he distinguished himself with his lensing of the final two Sherlock Holmes movies starring Basil Rathbone and Nigel Bruce, Terror by Night and Dressed to Kill. His most interesting project of the mid-1940s, however, was the final Rondo Hatton vehicle, The Brute Man, which made Universal sufficiently uncomfortable that they sold it off to Poverty Row distributor Producers Releasing Corporation. At American International Pictures he photographed the horror satire How to Make a Monster, while at United Artists he lensed Invisible Invaders and The Four Skulls of Jonathan Drake. In 1959, he became the cinematographer on the television series Adventures in Paradise. His film work became far less frequent after 1960, although he did find himself roped into the production of The Creeping Terror in 1964. Like many of his contemporaries, Gertsman finished his career working in television, on shows like Arthur Lubin's Mister Ed series (1961-66) for Filmways Television and most specifically for superstar Lucille Ball and her two subsequent sitcoms The Lucy Show (1962-68) and Here's Lucy (1968-74), the latter of which was produced under her own Lucille Ball Productions, Inc. banner.
Diğer Roller
| 1974 | Happy Anniversary and Goodbye - Director of Photography |
| 1967 | Gunfight in Abilene - Director of Photography |
| 1964 | The Lucille Ball Comedy Hour - Director of Photography |
| 1962 | Six Black Horses - Director of Photography |
| 1961 | Police Dog Story - Director of Photography |
| 1961 | Five Guns to Tombstone - Director of Photography |
| 1960 | The Walking Target - Director of Photography |
| 1960 | Cage of Evil - Director of Photography |
| 1960 | The Music Box Kid - Director of Photography |
| 1960 | Three Came to Kill - Director of Photography |
| 1960 | Abilene'nin silahşörleri - Director of Photography |
| 1959 | Timbuktu - Director of Photography |
| 1959 | The Four Skulls of Jonathan Drake - Director of Photography |
| 1959 | Pier 5, Havana - Director of Photography |
| 1959 | Inside the Mafia - Director of Photography |
| 1959 | Invisible Invaders - Director of Photography |
| 1959 | Riot in Juvenile Prison - Director of Photography |
| 1958 | How to Make a Monster - Director of Photography |
| 1957 | Durango'da Düello - Director of Photography |
| 1956 | I've Lived Before - Director of Photography |
| 1956 | Behind the High Wall - Director of Photography |
| 1956 | Raw Edge - Director of Photography |
| 1956 | Never Say Goodbye - Director of Photography |
| 1956 | The Creature Walks Among Us - Director of Photography |
| 1956 | World in My Corner - Director of Photography |
| 1955 | The Spoilers - Director of Photography |
| 1955 | To Hell and Back - Director of Photography |
| 1955 | One Desire - Director of Photography |
| 1954 | So This Is Paris - Director of Photography |
| 1954 | Bengal Brigade - Director of Photography |
| 1954 | Tanganyika - Director of Photography |
| 1954 | Rails Into Laramie - Director of Photography |
| 1953 | The Glass Web - Director of Photography |
| 1953 | The All American - Director of Photography |
| 1953 | The Golden Blade - Director of Photography |
| 1953 | The Great Sioux Uprising - Director of Photography |
| 1953 | The Lone Hand - Director of Photography |
| 1952 | Ma and Pa Kettle at the Fair - Director of Photography |
| 1952 | Just Across the Street - Director of Photography |
| 1952 | The Red Ball Express - Director of Photography |
| 1952 | Meet Danny Wilson - Director of Photography |
| 1951 | Reunion in Reno - Director of Photography |
| 1951 | You Never Can Tell - Director of Photography |
| 1951 | Cattle Drive - Director of Photography |
| 1951 | Smuggler's Island - Director of Photography |
| 1951 | Target Unknown - Director of Photography |
| 1950 | Frenchie - Director of Photography |
| 1950 | Louisa - Director of Photography |
| 1950 | Komançi Bölgesi - Director of Photography |
| 1950 | One Way Street - Director of Photography |
| 1949 | Johnny Stool Pigeon - Director of Photography |
| 1949 | City Across the River - Director of Photography |
| 1949 | Ma and Pa Kettle - Director of Photography |
| 1948 | Rogues' Regiment - Director of Photography |
| 1948 | Rachel and the Stranger - Director of Photography |
| 1947 | Singapore - Director of Photography |
| 1947 | Time Out of Mind - Director of Photography |
| 1947 | The Egg and I - Camera Operator |
| 1946 | The Brute Man - Director of Photography |
| 1946 | Lawless Breed - Director of Photography |
| 1946 | Cuban Pete - Director of Photography |
| 1946 | Dressed to Kill - Director of Photography |
| 1946 | She-Wolf of London - Director of Photography |
| 1946 | House of Horrors - Director of Photography |
| 1946 | Blonde Alibi - Director of Photography |
| 1946 | Terör Gecesi - Director of Photography |
| 1945 | Strange Confession - Director of Photography |
| 1945 | Secret Agent X-9 - Director of Photography |
| 1945 | The Jungle Captive - Director of Photography |
| 1945 | The Master Key - Director of Photography |
| 1945 | Jungle Queen - Director of Photography |
| 1944 | Riders of the Santa Fe - Director of Photography |
| 1937 | Behind the Mike - Camera Operator |
| 1935 | Werewolf of London - Camera Operator |
| 1934 | Great Expectations - Assistant Camera |
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