Profil Görüntüleri
1 Görüntüler
| Doğum yeri | Glasgow, Scotland, UK |
| Doğum günü | 1936-05-15 |
| Ölüm | 2018-01-12 |
| Ayrıca şöyle bilinir | Eddie McConnell |
Oy
Edward “Eddie” McConnell was a Scottish director and camera man, most noted for his documentary and non-fiction work.
Diğer Roller
| 1991 | Shell Shock - Director |
| 1983 | Clocks - Director |
| 1983 | Hands - Director |
| 1983 | Paddlesteamers - Director |
| 1983 | Steam - Director |
| 1983 | Thistledown - Director |
| 1983 | Lighthouse - Director |
| 1982 | Hogmanay: An Ancient Welcome to the New Year - Director |
| 1982 | Round Trip to Glasgow - Director of Photography |
| 1981 | A Line for All Seasons - Director |
| 1979 | The Cromarty Bridge - Camera Operator |
| 1979 | The Spirit of Scotland - Cinematography |
| 1976 | A Stone in the Heather - Cinematography |
| 1976 | Giving Voice: A Writer in the Classroom - Cinematography |
| 1975 | Raindrop - Cinematography |
| 1975 | The Boat - Cinematography |
| 1975 | Raindrop - Director |
| 1974 | The Pine Tree - Director |
| 1974 | The Big Clubs - Director of Photography |
| 1974 | Bo'ness Fair - Camera Operator |
| 1974 | Man, Monsters & Mysteries - Cinematography |
| 1974 | In Great Waters - Cinematography |
| 1974 | Sea City - Greenock - Cinematography |
| 1973 | No 1 - Cinematography |
| 1973 | Benno Schotz: Sculptor and Modeller - Director |
| 1973 | Come Away In - Cinematography |
| 1973 | Gardens by the Sea - Cinematography |
| 1973 | The Line to Skye - Cinematography |
| 1973 | Gardens by the Sea - Director |
| 1973 | The Line to Skye - Director |
| 1972 | The Duna Bull - Cinematography |
| 1972 | Why Scotland, Why East Kilbride - Cinematography |
| 1972 | Why Scotland, Why East Kilbride - Director |
| 1971 | Golfers in a Scottish Landscape - Director of Photography |
| 1971 | Island of the Big Cloth - Cinematography |
| 1971 | Island of the Big Cloth - Director |
| 1970 | Walkabout Edinburgh - Cinematography |
| 1970 | Walkabout Edinburgh - Director |
| 1969 | The Amazing Moments of the Great Traction Engines - Director |
| 1968 | Mackintosh - Cinematography |
| 1968 | Topliner: The Manufacturer of Industrial Refractories - Director |
| 1968 | The Big Catch - Director of Photography |
| 1968 | The Big Catch - Producer |
| 1967 | A Kind of Seeing: The Colour of Scotland - Director |
| 1967 | The Castles of Scotland - Still Photographer |
| 1967 | Loch Lomond - Cinematography |
| 1967 | Water, Water Everywhere - Cinematography |
| 1967 | Water, Water Everywhere - Director |
| 1966 | County on the Move - Cinematography |
| 1966 | Glasgow Belongs to Me - Cinematography |
| 1966 | Hebridean Highway - Cinematography |
| 1966 | The Smiths in Scotland - Cinematography |
| 1966 | Glasgow Belongs to Me - Director |
| 1966 | Songs of Scotland - Director |
| 1966 | Glasgow Belongs to Me - Writer |
| 1964 | The Disappearing Island - Camera Operator |
| 1964 | Champions in the Sun - Camera Operator |
| 1963 | Beyond the Grampians - Camera Operator |
| 1963 | Three Scottish Painters - Cinematography |
| 1963 | Young in Heart - Cinematography |
| 1962 | Heart of Scotland - Cinematography |
| 1962 | As Long as You're Young - Director |
| 1962 | Weave Me a Rainbow - Director |
| 1960 | Pleasure Island - Assistant Camera |
| 1958 | Falls the Shadow - Director |
| 1957 | Faces - Director |
| 1957 | Broken Images - Director |
| 1957 | The Glasgow School of Art - Director |
| 1955 | Castle in the Sand - Director |
| The Odd Man - Cinematography |
Duvar