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| Doğum yeri | Yalta, Taurida Governorate, Russian Empire [now Crimea, Ukraine] |
| Doğum günü | 1879-06-03 |
| Ölüm | 1945-07-13 |
| Ayrıca şöyle bilinir | Alla Nazimoff Nazimova Marem-Ides (Adelaida Yakovlevna) Leventon Марем-Идес Левентон Marem-Ides Leventon |
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From Wikipedia Alla Nazimova (Russian and Ukrainian: Алла Назимова; 3 June [O.S. 22 May] 1879 – 13 July 1945) was an American film and theatre actress, a screenwriter, and film producer. She is perhaps best known as simply Nazimova, but also went under the name Alia Nasimoff. She emigrated to the United States from the Russian Empire. In 1927, Nazimova became a naturalized citizen of the United States. She was signed up by the American producer Henry Miller and made her Broadway debut in New York City, in 1906 to critical and popular success. She quickly became extremely popular (a theatre was named after her) and remained a major Broadway star for years, often acting in the plays of Henrik Ibsen and Anton Chekhov. Dorothy Parker described her as the finest Hedda Gabler she had ever seen. Due to her notoriety in a 35-minute 1915 play entitled War Brides, Nazimova made her silent film debut in 1916 in the filmed version of the play, which was produced by Lewis J. Selznick. A young actor with a bit part in the movie was Richard Barthelmess whose mother taught Nazimova English. In 1917, she negotiated a contract with Metro Pictures, a precursor to MGM, that included a weekly salary of $13,000. She moved from New York to Hollywood, where she made a number of highly successful films for Metro that earned her considerable money. She was influential in the film industry in the silent era and continued to play character roles until the end of her life. Between the years of 1917 and 1922 Nazimova wielded considerable influence and power in Hollywood. By all accounts she was extremely generous to young actresses in whom she saw talent and became involved with at least some of them romantically. By 1925 Nazimova could no longer afford to invest in more films; and financial backers withdrew their support. Left with few options, she gave up on the film industry, returning to perform on Broadway, notably starring as Natalya Petrovna in Rouben Mamoulian's 1930 New York production of Turgenev's A Month in the Country and an acclaimed performance as Mrs. Alving in Ibsen's Ghosts. In the early 1940s, she appeared in a few more films, playing Robert Taylor's mother in Escape (1940) and Tyrone Power's mother in Blood and Sand (1941). This late return to motion pictures fortunately preserves Nazimova and her art on sound film. She died of a coronary thrombosis, age 66, in the Good Samaritan Hospital in Los Angeles. Her ashes were interred in Forest Lawn Memorial Park Cemetery in Glendale, California. Her contributions to the film industry have been recognized with a star on the Hollywood Walk of Fame.
Oyuncu
| 2019 | Darrere l'ombra de Natacha Rambova as Various Roles (archive footage) |
| 1961 | The Legend of Rudolph Valentino as Self (archive footage) |
| 1944 | Since You Went Away as Zofia Koslowska |
| 1944 | In Our Time as Zofia Orwid (as Nazimova) |
| 1944 | The Bridge of San Luis Rey as Doña Maria - The Marquesa |
| 1942 | Screen Snapshots (Series 22, No. 10) as Self (archive footage) |
| 1941 | Blood and Sand as Senora Augustias |
| 1940 | Escape as Emmy Ritter |
| 1940 | A New Romance of Celluloid: The Miracle of Sound as Self |
| 1925 | My Son as Ana Silva |
| 1925 | The Redeeming Sin as Joan |
| 1924 | Madonna of the Streets as Mary Carlson / Mary Ainsleigh |
| 1923 | Salomé as Salomé |
| 1922 | A Doll's House as Nora Helmer |
| 1921 | Camille as Marguerite Gautier |
| 1920 | Billions as Princess Triloff |
| 1920 | Madame Peacock as Jane Goring / Gloria Cromwell |
| 1920 | The Heart of a Child as Sally Snape (as Nazimova) |
| 1920 | Stronger Than Death as Sigrid Fersen |
| 1919 | The Brat as The Brat |
| 1919 | The Red Lantern as Mahlee & Blanche Sackville |
| 1919 | Out of the Fog as Faith / Eve |
| 1918 | Eye for Eye as Hassouna |
| 1918 | A Woman of France as Louise |
| 1918 | Toys of Fate as Zorah / Hagah |
| 1918 | Revelation as Joline |
| 1916 | War Brides as Joan |
Diğer Roller
| 1923 | Salomé - Producer |
| 1922 | A Doll's House - Producer |
| 1922 | A Doll's House - Writer |
| 1920 | Billions - Editor |
| 1920 | Madame Peacock - Adaptation |
| 1920 | Madame Peacock - Producer |
| 1920 | Madame Peacock - Writer |
| 1919 | The Brat - Writer |
| 1918 | Eye for Eye - Director |
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