Profil Görüntüleri
1 Görüntüler
| Doğum yeri | West Middlebury, Ohio, USA |
| Doğum günü | 1878-06-27 |
| Ölüm | 1937-06-23 |
| Ayrıca şöyle bilinir | H.W. Walker Harley M. Walker |
Oy
WALKER, H.M. (Harley Marquis Walker) started as a telegrapher, tapping out the descriptions of sportswriters at boxing matches and sending them to the offices of their newspapers. In 1903 he became a sportswriter himself and wrote a column, “The Wisdom of Blinkey Ben,” for the Los Angeles Examiner before joining Roach in 1917 as a part-time scenario and title writer for Harold Lloyd. In 1920, he left newspaper work and joined Roach full time as head of the editorial department. A brilliant title writer in the silent era, Walker was less skilled at dialogue; he was credited for providing these elements on more than 350 Roach comedies. He usually came up with the title for each film and also wrote fairly severe critiques after each preview. After leaving Roach in 1932 he wrote dialogue for some features, including Son of a Sailor (1933) with Joe E. Brown, W.C. Fields’ The Old Fashioned Way (1934), and the ZaSu Pitts picture Affair of Susan (1935). Walker died in the home of his good friend Leroy Shield, who had written scores at the Roach lot in 1930 and ’31. Died June 23, 1937, Chicago, Illinois, age 58; of a heart attack. Harley M. "Beanie" Walker (June 27, 1878 – June 23, 1937) was a member of the Hal Roach movie production company from 1916 until his resignation in 1932. The title cards he wrote for Harold Lloyd, Charley Chase, Our Gang and Laurel and Hardy comedies "have entered legend, both for silent films, and as opening remarks for the earlier talkies." He was also an officer of the Roach Studio corporation. On Roach's "Lot of Fun", script development usually started with meetings among the gag men, who would develop what was known as an "action script": the outline of the story and a description of the scenes and some of the sight gags, which generally would run three to six legal-size pages. This document would then pass to Walker, the head of the editorial department, which oversaw not only script editing, but film editing as well. Walker usually came up with the title of each film, wrote "brilliantly witty" title cards which would be produced and inserted into the film, and wrote a critique before the picture went out to the distributors, Pathé Exchange, or later, M-G-M. Walker's writing did not transition well to talkies and by 1931 he had left Roach studio and wrote dialogue for comedies produced by ex-Roach general manager Warren Doane at Universal Pictures. Later, he worked at Paramount Pictures, where he contributed to the W. C. Fields picture The Old Fashioned Way (1934).
Diğer Roller
| 1935 | Public Ghost # 1 - Writer |
| 1934 | Them Thar Hills - Writer |
| 1934 | Love Birds - Additional Dialogue |
| 1933 | Her First Mate - Screenplay |
| 1933 | They Just Had to Get Married - Screenplay |
| 1932 | Girl Grief - Dialogue |
| 1932 | Alum and Eve - Dialogue |
| 1932 | Pack Up Your Troubles - Writer |
| 1932 | Scram! - Dialogue |
| 1932 | Scram! - Writer |
| 1932 | Young Ironsides - Dialogue |
| 1932 | Show Business - Dialogue |
| 1932 | What Price Taxi - Dialogue |
| 1932 | What Price Taxi - Writer |
| 1932 | County Hospital - Dialogue |
| 1932 | County Hospital - Writer |
| 1932 | The Pooch - Writer |
| 1932 | The Old Bull - Dialogue |
| 1932 | First in War - Dialogue |
| 1932 | The Chimp - Writer |
| 1932 | Choo-Choo! - Writer |
| 1932 | Strictly Unreliable - Writer |
| 1932 | In Walked Charley - Writer |
| 1932 | The Music Box - Dialogue |
| 1932 | You're Telling Me - Dialogue |
| 1932 | The Music Box - Writer |
| 1932 | Spanky - Writer |
| 1932 | Red Noses - Dialogue |
| 1932 | The Nickel Nurser - Writer |
| 1932 | Any Old Port! - Writer |
| 1932 | Free Eats - Writer |
| 1932 | The Tabasco Kid - Writer |
| 1932 | Helpmates - Dialogue |
| 1931 | On the Loose - Writer |
| 1931 | Hasty Marriage - Dialogue |
| 1931 | Beau Hunks - Writer |
| 1931 | War Mamas - Dialogue |
| 1931 | What a Bozo! - Dialogue |
| 1931 | One Good Turn - Dialogue |
| 1931 | Shiver My Timbers - Writer |
| 1931 | The Pajama Party - Dialogue |
| 1931 | Skip the Maloo! - Dialogue |
| 1931 | Come Clean - Dialogue |
| 1931 | Call a Cop! - Dialogue |
| 1931 | Catch-As Catch-Can - Dialogue |
| 1931 | Pardon Us - Dialogue |
| 1931 | Let's Do Things - Dialogue |
| 1931 | One of the Smiths - Dialogue |
| 1931 | Spuk um Mitternacht - Writer |
| 1931 | Our Wife - Dialogue |
| 1931 | Politiquerías - Writer |
| 1931 | Rough Seas - Dialogue |
| 1931 | Monerías - Writer |
| 1931 | Little Daddy - Writer |
| 1931 | El alma de la fiesta - Dialogue |
| 1931 | Chickens Come Home - Dialogue |
| 1931 | Love Business - Writer |
| 1931 | Thundering Tenors - Dialogue |
| 1931 | Be Big! - Writer |
| 1931 | Les Carottiers - Writer |
| 1931 | Helping Grandma - Writer |
| 1930 | High C's - Dialogue |
| 1930 | Another Fine Mess - Dialogue |
| 1930 | School's Out - Dialogue |
| 1930 | Una cana al aire - Writer |
| 1930 | Noche de duendes - Dialogue |
| 1930 | Teacher's Pet - Dialogue |
| 1930 | Chercheuses d'or - Story |
| 1930 | El príncipe del dólar - Story |
| 1930 | Dollar Dizzy - Dialogue |
| 1930 | Dollar Dizzy - Story |
| 1930 | Doctor's Orders - Writer |
| 1930 | Locuras de amor - Writer |
| 1930 | Girl Shock - Writer |
| 1930 | The Laurel-Hardy Murder Case - Writer |
| 1930 | Fast Work - Dialogue |
| 1930 | The King - Writer |
| 1930 | Hog Wild - Dialogue |
| 1930 | Hog Wild - Writer |
| 1930 | Bear Shooters - Story Editor |
| 1930 | The Shrimp - Writer |
| 1930 | Below Zero - Dialogue |
| 1930 | El jugador de golf - Writer |
| 1930 | La vida nocturna - Writer |
| 1930 | Le joueur de golf - Writer |
| 1930 | All Teed Up - Dialogue |
| 1930 | When the Wind Blows - Story Editor |
| 1930 | The Big Kick - Writer |
| 1930 | Brats - Dialogue |
| 1930 | Whispering Whoopee - Dialogue |
| 1930 | The First Seven Years - Story Editor |
| 1930 | Blotto - Dialogue |
| 1930 | The Fighting Parson - Writer |
| 1930 | Shivering Shakespeare - Story Editor |
| 1930 | The Head Guy - Writer |
| 1930 | Night Owls - Writer |
| 1929 | Angora Love - Other |
| 1929 | Moan & Groan, Inc. - Story Editor |
| 1929 | Skirt Shy - Story |
| 1929 | Bouncing Babies - Story Editor |
| 1929 | Sky Boy - Writer |
| 1929 | Boxing Gloves - Dialogue |
| 1929 | Crazy Feet - Scenario Writer |
| 1929 | Hotter Than Hot - Writer |
| 1929 | Men O' War - Writer |
| 1929 | Berth Marks - Title Designer |
| 1929 | Small Talk - Dialogue |
| 1929 | Double Whoopee - Writer |
| 1929 | Unaccustomed as We Are - Dialogue |
| 1929 | Big Business - Writer |
| 1929 | Wrong Again - Writer |
| 1929 | Liberty - Writer |
| 1928 | Early to Bed - Writer |
| 1928 | Should Married Men Go Home? - Writer |
| 1928 | Their Purple Moment - Writer |
| 1928 | Fair and Muddy - Title Designer |
| 1928 | You're Darn Tootin' - Writer |
| 1928 | From Soup to Nuts - Writer |
| 1928 | Came the Dawn - Writer |
| 1928 | The Finishing Touch - Writer |
| 1928 | Should Tall Men Marry? - Title Graphics |
| 1928 | Playin' Hookey - Writer |
| 1927 | The Battle of the Century - Title Designer |
| 1927 | Putting Pants on Philip - Writer |
| 1927 | Hats Off - Title Designer |
| 1927 | The Second 100 Years - Title Graphics |
| 1927 | Sailors, Beware! - Writer |
| 1927 | Sugar Daddies - Writer |
| 1927 | The Sting of Stings - Writer |
| 1927 | Fluttering Hearts - Writer |
| 1927 | Should Men Walk Home? - Writer |
| 1927 | Many Scrappy Returns - Writer |
| 1926 | The Nickel-Hopper - Writer |
| 1926 | Get 'Em Young - Writer |
| 1926 | Wise Guys Prefer Brunettes - Title Graphics |
| 1926 | Bromo and Juliet - Title Designer |
| 1926 | Crazy Like a Fox - Title Designer |
| 1926 | Along Came Auntie - Title Designer |
| 1926 | Thundering Fleas - Title Designer |
| 1926 | Wandering Papas - Title Designer |
| 1926 | Good Cheer - Writer |
| 1925 | Should Sailors Marry? - Title Designer |
| 1925 | Black Cyclone - Writer |
| 1925 | Dog Days - Title Graphics |
| 1925 | Papa Be Good! - Writer |
| 1924 | Just a Good Guy - Writer |
| 1924 | The Battling Orioles - Writer |
| 1924 | A Truthful Liar - Writer |
| 1924 | Wide Open Spaces - Writer |
| 1924 | Brothers Under the Chin - Writer |
| 1923 | Mother's Joy - Writer |
| 1923 | Uncensored Movies - Writer |
| 1923 | The Soilers - Title Graphics |
| 1923 | The Whole Truth - Writer |
| 1923 | Heavy Seas - Writer |
| 1923 | Dogs of War! - Title Graphics |
| 1922 | Dr. Jack - Title Designer |
| 1922 | Grandma's Boy - Writer |
| 1921 | Never Weaken - Writer |
| 1921 | Now or Never - Writer |
| 1920 | Number, Please? - Writer |
| 1920 | Get Out and Get Under - Writer |
| 1920 | High and Dizzy - Writer |
| 1920 | An Eastern Westerner - Writer |
| 1920 | Haunted Spooks - Writer |
| 1920 | His Royal Slyness - Writer |
| 1919 | From Hand to Mouth - Title Graphics |
| 1919 | Captain Kidd's Kids - Title Graphics |
| 1919 | Bumping Into Broadway - Writer |
| 1919 | Don't Shove - Title Graphics |
| 1919 | Heap Big Chief - Dialogue |
| 1919 | Chop Suey & Co. - Writer |
| 1919 | Count Your Change - Title Graphics |
| 1919 | Ask Father - Writer |
| 1918 | Fireman Save My Child - Writer |
| 1918 | Here Come the Girls - Dialogue |
| 1918 | A Gasoline Wedding - Writer |
| 1918 | Beat It - Dialogue |
| 1918 | The Tip - Dialogue |
| 1917 | Step Lively - Writer |
| 1917 | We Never Sleep - Writer |
| 1917 | All Aboard - Writer |
| 1917 | Clubs Are Trump - Writer |
| 1917 | The Flirt - Writer |
| 1917 | Love, Laughs and Lather - Writer |
| 1917 | Rainbow Island - Writer |
| 1917 | From Laramie to London - Writer |
| 1917 | Bliss - Writer |
| 1917 | Birds of a Feather - Writer |
| 1917 | By the Sad Sea Waves - Writer |
Duvar