Experimental filmmaker, author, activist, film scholar, and cultural worker Marjorie Keller (1950-1994) created a uniquely personal and feminist body of work for twenty years beginning in the early 1970s. Keller also served on the board of directors of the Collective for Living Cinema, was the founding editor of their journal, Motion Picture from 1984 to 1987 and was Director of the New York Filmmakers Cooperative in the late 1980s. Writer J. Hoberman called her “an unselfish champion of the avant-garde.” Her films deftly combine home movie and diary styles through a potent politicized lens.
Oyuncu
| 2011 | Trip to Carolee |
| 1995 | As Is Was |
| 1991 | Departure |
| 1991 | Is As Is |
| 1985 | The Answering Furrow as Self |
Diğer Roller
| 2011 | Trip to Carolee - Camera Operator |
| 1991 | Herein - Director |
| 1988 | Private Parts - Director |
| 1985 | The Answering Furrow - Director |
| 1985 | The Answering Furrow - Director of Photography |
| 1985 | The Answering Furrow - Editor |
| 1985 | Lyrics - Director |
| 1983 | The Fallen World - Director |
| 1980 | Daughters of Chaos - Director |
| 1979 | Ancient Parts/Foreign Parts - Director |
| 1979 | Six Windows - Director |
| 1977 | The Web - Director |
| 1977 | Misconception - Director |
| 1975 | Film Notebook: Part 1 (For Saul) - Director |
| 1974 | By Twos and Threes: Women - Director |
| 1974 | Objection - Director |
| 1973 | She/Va - Director |
| 1973 | The Outer Circle - Director |
| 1972 | Part IV (Green Hill) - Director |
| 1971 | Untitled - Director |
| 1969 | Turtle - Director |
Duvar