Profil Görüntüleri
| Doğum yeri | Roslyn, New York, USA |
| Doğum günü | 1895-07-08 |
| Ölüm | 1970-07-13 |
| Ayrıca şöyle bilinir | Arthur Charles Miller Arthur Miller Art Miller A.C. Miller |
Oy
From Wikipedia Arthur Charles Miller, A.S.C. (July 8, 1895 - July 13, 1970) was an American cinematographer. Born in Roslyn, New York, Arthur Miller began his career at the age of 13, working as an assistant to filmmaker Fred J. Balshofer. The two remained lifelong friends and in 1967 co-wrote the book about the early days of film titled One Reel a Week. In 1909 Miller was working in New York City as an assistant cameraman for the New York Motion Picture Corporation. He eventually joined Pathé Frères, and although still only 19 years old was the cinematographer for the 1914 adventure serial The Perils of Pauline. He had a lengthy tenure at Paramount, from the late teens throughout the 1920s. In 1932 Miller signed a long-term contract with Fox Film Corporation. Arthur Miller was nominated for the Academy Award for Best Cinematography seven times, winning it in 1942 for How Green Was My Valley, again in 1944 for The Song of Bernadette, and a third time in 1947 for Anna and the King of Siam. He retired in 1951, but remained active in the industry as president of the American Society of Cinematographers. He died in Los Angeles, California in 1970 and was interred in the Hollywood Memorial Park Cemetery.
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| 1994 | Marilyn Monroe: The Mortal Goddess as Self (archive footage) |
| 1969 | The Fall |
Diğer Roller
| 1951 | The Prowler - Director of Photography |
| 1950 | The Gunfighter - Director of Photography |
| 1950 | Whirlpool - Director of Photography |
| 1949 | A Letter to Three Wives - Director of Photography |
| 1948 | The Walls of Jericho - Director of Photography |
| 1947 | Centilmenlik Anlaşması - Director of Photography |
| 1946 | The Razor's Edge - Director of Photography |
| 1946 | Anna and the King of Siam - Director of Photography |
| 1946 | Dragonwyck - Director of Photography |
| 1945 | A Royal Scandal - Director of Photography |
| 1944 | Cennetin Anahtarları - Director of Photography |
| 1944 | The Purple Heart - Director of Photography |
| 1944 | Yaşamak İstiyoruz - Additional Director of Photography |
| 1943 | The Song of Bernadette - Director of Photography |
| 1943 | Immortal Sergeant - Director of Photography |
| 1943 | The Moon Is Down - Director of Photography |
| 1943 | Ox-Bow Olayı - Director of Photography |
| 1942 | This Above All - Director of Photography |
| 1942 | Son of Fury: The Story of Benjamin Blake - Director of Photography |
| 1941 | Vadim O Kadar Yeşildi ki - Director of Photography |
| 1941 | Man Hunt - Director of Photography |
| 1941 | Tobacco Road - Director of Photography |
| 1940 | The Mark of Zorro - Director of Photography |
| 1940 | Brigham Young - Director of Photography |
| 1940 | Young People - Director of Photography |
| 1940 | On Their Own - Director of Photography |
| 1940 | Johnny Apollo - Director of Photography |
| 1940 | The Blue Bird - Director of Photography |
| 1939 | Here I Am a Stranger - Director of Photography |
| 1939 | The Rains Came - Director of Photography |
| 1939 | Susannah of the Mounties - Director of Photography |
| 1939 | The Little Princess - Director of Photography |
| 1938 | Submarine Patrol - Director of Photography |
| 1938 | Just Around the Corner - Director of Photography |
| 1938 | Little Miss Broadway - Director of Photography |
| 1938 | Rebecca of Sunnybrook Farm - Director of Photography |
| 1937 | Wee Willie Winkie - Director of Photography |
| 1936 | Pigskin Parade - Director of Photography |
| 1936 | White Fang - Director of Photography |
| 1935 | Welcome Home - Cinematography |
| 1935 | It's A Small World - Director of Photography |
| 1934 | The White Parade - Director of Photography |
| 1934 | Love Time - Cinematography |
| 1934 | Handy Andy - Director of Photography |
| 1934 | Bottoms Up - Director of Photography |
| 1934 | Ever Since Eve - Director of Photography |
| 1933 | My Weakness - Director of Photography |
| 1933 | The Man Who Dared - Director of Photography |
| 1933 | Sailor's Luck - Director of Photography |
| 1932 | Me and My Gal - Director of Photography |
| 1932 | Breach of Promise - Cinematography |
| 1932 | Okay, America! - Director of Photography |
| 1932 | Young Bride - Director of Photography |
| 1932 | Panama Flo - Director of Photography |
| 1931 | The Big Shot - Director of Photography |
| 1931 | Bad Company - Director of Photography |
| 1931 | Father's Son - Cinematography |
| 1930 | The Truth About Youth - Director of Photography |
| 1930 | The Lady of Scandal - Director of Photography |
| 1929 | Strange Cargo - Director of Photography |
| 1929 | The Bellamy Trial - Director of Photography |
| 1928 | Annapolis - Director of Photography |
| 1928 | The Blue Danube - Director of Photography |
| 1927 | The Angel of Broadway - Director of Photography |
| 1927 | Vanity - Director of Photography |
| 1926 | For Alimony Only - Director of Photography |
| 1926 | The Clinging Vine - Director of Photography |
| 1926 | The Volga Boatman - Director of Photography |
| 1926 | Made for Love - Director of Photography |
| 1925 | A Thief in Paradise - Director of Photography |
| 1925 | His Supreme Moment - Director of Photography |
| 1924 | In Hollywood with Potash and Perlmutter - Director of Photography |
| 1924 | Tarnish - Director of Photography |
| 1924 | Cytherea - Director of Photography |
| 1923 | The Eternal City - Director of Photography |
| 1923 | The Cheat - Director of Photography |
| 1923 | Bella Donna - Director of Photography |
| 1922 | Kick In - Director of Photography |
| 1922 | To Have and to Hold - Director of Photography |
| 1922 | Three Live Ghosts - Cinematography |
| 1921 | Forever - Cinematography |
| 1921 | Experience - Camera Operator |
| 1921 | Paying the Piper - Director of Photography |
| 1920 | Idols of Clay - Director of Photography |
| 1920 | The Right to Love - Director of Photography |
| 1920 | On with the Dance - Director of Photography |
| 1919 | The Profiteers - Director of Photography |
| 1919 | The Cry of the Weak - Director of Photography |
| 1918 | A Japanese Nightingale - Director of Photography |
| 1918 | The House of Hate - Director |
| 1917 | Vengeance Is Mine - Director of Photography |
| 1917 | Blind Man's Luck - Director of Photography |
| 1916 | Arms and the Woman - Director of Photography |
| 1916 | Big Jim Garrity - Director of Photography |
| 1915 | At Bay - Director of Photography |
| 1914 | The Perils of Pauline - Director of Photography |
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