Profil Görüntüleri
1 Görüntüler
| Doğum yeri | Buenos Aires, Argentina |
| Doğum günü | 1917-10-19 |
| Ölüm | 2005-07-06 |
Oy
Mario Vanarelli was a set designer who was born in Buenos Aires, Argentina on October 21, 1917 and died in the same city on July 6, 2005 after an extensive professional career. He was also Rector and professor of scenography in Buenos Aires and at the University of La Plata. He received the Martín Fierro Award for best set designer in 1959 and the Konex Award in 1982.
Oyuncu
| 1948 | El tambor de Tacuarí as Manuel Belgrano |
Diğer Roller
| 1972 | Argentinísima - Art Designer |
| 1969 | Kuma-Ching - Production Design |
| 1968 | 7 uomini e un cervello - Production Design |
| 1967 | Cuando los hombres hablan de mujeres - Set Designer |
| 1966 | Las locas del conventillo - Production Design |
| 1965 | Viaje de una noche de verano - Art Direction |
| 1965 | Con gusto a rabia - Set Decoration |
| 1964 | Buenas noches, Buenos Aires - Production Design |
| 1963 | La calesita - Production Design |
| 1963 | Paula cautiva - Production Design |
| 1962 | Huis Clos (A puerta cerrada) - Art Direction |
| 1962 | No Exit - Art Direction |
| 1960 | Sábado a la noche, cine - Production Design |
| 1960 | La patota - Production Design |
| 1960 | Obras maestras del terror - Production Design |
| 1959 | El candidato - Production Design |
| 1959 | He nacido en Buenos Aires - Art Designer |
| 1958 | El Jefe - Production Design |
| 1958 | El calavera - Art Direction |
| 1958 | La morocha - Production Design |
| 1957 | Una viuda difícil - Art Designer |
| 1957 | Todo sea para bien - Art Designer |
| 1956 | Los tallos amargos - Production Design |
| 1956 | Después del silencio - Art Direction |
| 1956 | Marta Ferrari - Art Direction |
| 1956 | El satélite chiflado - Production Design |
| 1956 | Catita es una dama - Production Design |
| 1956 | La pícara soñadora - Art Direction |
| 1956 | Sangre y acero - Set Decoration |
| 1955 | Los peores del barrio - Art Direction |
| 1955 | El amor nunca muere - Production Design |
| 1955 | Un novio para Laura - Production Design |
| 1955 | Mercado de abasto - Production Design |
| 1955 | Requiebro - Art Direction |
| 1955 | Ayer fue Primavera - Production Design |
| 1954 | El grito sagrado - Art Direction |
| 1954 | Un hombre cualquiera - Production Design |
| 1953 | Del otro lado del puente - Art Direction |
| 1953 | Dock Sud - Production Design |
| 1953 | Ellos nos hicieron así - Production Design |
| 1953 | La voz de mi ciudad - Production Design |
| 1952 | Way of a Gaucho - Costume Design |
| 1952 | La patrulla chiflada - Art Direction |
| 1952 | La bestia debe morir - Art Direction |
| 1952 | La bestia debe morir - Production Design |
| 1952 | La bestia debe morir - Set Designer |
| 1952 | Mi mujer está loca - Art Direction |
| 1951 | El pendiente - Production Design |
| 1951 | Pasó en mi barrio - Production Design |
| 1951 | Fantasmas asustados - Art Direction |
| 1951 | Vivir un instante - Production Design |
| 1951 | El heroico Bonifacio - Art Direction |
| 1950 | Romance en tres noches - Art Designer |
| 1950 | La doctora Castañuelas - Art Designer |
| 1950 | Esposa último modelo - Production Design |
| 1950 | Arrabalera - Production Design |
| 1950 | Cinco grandes y una chica - Production Design |
| 1950 | La campana nueva - Art Designer |
| 1949 | Esperanza - Art Direction |
| 1949 | Esperanza - Costume Design |
| 1949 | De hombre a hombre - Art Direction |
| 1948 | Al marido hay que seguirlo - Art Direction |
| 1948 | María de los Ángeles - Costume Design |
| 1946 | Donde mueren las palabras - Production Design |
| 1945 | Dos ángeles y un pecador - Art Direction |
| 1945 | Allá en el setenta y tantos - Production Design |
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