Profil Görüntüleri
1 Görüntüler
| Doğum yeri | Oakland, California, USA |
| Doğum günü | 1904-12-18 |
| Ölüm | 1975-03-08 |
| Ayrıca şöyle bilinir | Colonel George C. Stevens George Stephens Джордж Стівенс Джордж Стивенс 조지 스티븐스 조지 쿠커 스티븐스 |
Oy
. George Stevens (December 18, 1904 – March 8, 1975) was an American film director, producer, screenwriter and cinematographer. Among his most notable films were Diary of Anne Frank (1959), nominated for Best Director, Giant (1956), winner of Oscar for Best Director, Shane (1953), Oscar nominated, and A Place in the Sun (1951), winner of Oscar for Best Director.
Oyuncu
| 2019 | Hollywoods Zweiter Weltkrieg as Self (archive footage) |
| 2017 | Five Came Back as Self (archive footage) |
| 2009 | 1939: Hollywood's Greatest Year as Self (archive footage) |
| 2001 | George Stevens and His Place In The Sun as Self (archive footage) |
| 1985 | George Stevens: A Filmmaker's Journey as Self (archive footage) |
| 1953 | Vadiler Aslanı as Knock Him Into That Pigpen, Chris! (voice) (uncredited) |
| 1919 | Her Code of Honor |
Diğer Roller
| 1999 | D-Day: The Color Footage - Director |
| 1970 | The Only Game in Town - Director |
| 1965 | The Greatest Story Ever Told - Director |
| 1965 | The Greatest Story Ever Told - Producer |
| 1965 | The Greatest Story Ever Told - Screenplay |
| 1959 | Anne Frank'in Hatıra Defteri - Director |
| 1959 | Anne Frank'in Hatıra Defteri - Producer |
| 1956 | Devlerin Aşkı - Director |
| 1956 | Devlerin Aşkı - Producer |
| 1956 | New York Premiere Telecast 'Giant' - Director |
| 1956 | New York Premiere Telecast 'Giant' - Producer |
| 1956 | New York Premiere Telecast 'Giant' - Writer |
| 1953 | Vadiler Aslanı - Director |
| 1953 | Vadiler Aslanı - Producer |
| 1952 | Something to Live For - Director |
| 1952 | Something to Live For - Producer |
| 1951 | İnsanlık Suçu - Director |
| 1951 | İnsanlık Suçu - Producer |
| 1948 | I Remember Mama - Director |
| 1948 | I Remember Mama - Executive Producer |
| 1946 | Five Came Back: The Reference Films - Director |
| 1946 | Five Came Back: The Reference Films - Writer |
| 1946 | George Stevens World War II Footage - Director |
| 1946 | Nuremberg - Director |
| 1945 | The Nazi Plan - Director |
| 1945 | Nazi Toplama Kampları - Director |
| 1945 | Nazi Toplama Kampları - Writer |
| 1945 | That Justice Be Done - Director |
| 1943 | The More the Merrier - Director |
| 1943 | The More the Merrier - Producer |
| 1942 | Dillere Destan - Director |
| 1942 | Dillere Destan - Producer |
| 1942 | Woman of the Year - Director |
| 1941 | Penny Serenade - Director |
| 1941 | Penny Serenade - Producer |
| 1940 | Vigil in the Night - Director |
| 1940 | Vigil in the Night - Producer |
| 1939 | Gunga Din - Director |
| 1939 | Gunga Din - Producer |
| 1938 | Vivacious Lady - Director |
| 1938 | Vivacious Lady - Producer |
| 1937 | A Damsel in Distress - Director |
| 1937 | Quality Street - Director |
| 1936 | Dans Vakti - Director |
| 1935 | Annie Oakley - Director |
| 1935 | Alice Adams - Director |
| 1935 | The Nitwits - Director |
| 1935 | Laddie - Director |
| 1934 | Kentucky Kernels - Director |
| 1934 | Ocean Swells - Director |
| 1934 | Bachelor Bait - Director |
| 1934 | Hollywood Party - Director |
| 1934 | Cracked Shots - Director |
| 1934 | Rough Necking - Director |
| 1934 | Strictly Fresh Yeggs - Director |
| 1934 | The Undie-World - Director |
| 1934 | Bridal Bail - Director |
| 1933 | Walking Back Home - Director |
| 1933 | Walking Back Home - Story |
| 1933 | What Fur - Director |
| 1933 | What Fur - Story |
| 1933 | Flirting in the Park - Director |
| 1933 | Flirting in the Park - Story |
| 1933 | Quiet Please! - Director |
| 1933 | The Cohens and Kellys in Trouble - Director |
| 1933 | The Trial of Vince Barnett - Writer |
| 1933 | Hunting Trouble - Writer |
| 1932 | Boys Will Be Boys - Director |
| 1931 | The Kick-Off! - Director |
| 1931 | Mama Loves Papa - Director |
| 1931 | Call a Cop! - Director |
| 1931 | The Panic Is On - Director of Photography |
| 1931 | Let's Do Things - Director of Photography |
| 1931 | Spuk um Mitternacht - Director of Photography |
| 1931 | Air-Tight - Director |
| 1931 | High Gear - Director |
| 1931 | Blood and Thunder - Director |
| 1930 | Ladies Last - Director |
| 1930 | The Laurel-Hardy Murder Case - Director of Photography |
| 1930 | Radiomanía - Director of Photography |
| 1930 | Below Zero - Director of Photography |
| 1930 | La vida nocturna - Director of Photography |
| 1930 | Brats - Director of Photography |
| 1930 | Blotto - Director of Photography |
| 1929 | Bacon Grabbers - Director of Photography |
| 1929 | Crazy Feet - Director of Photography |
| 1929 | Snappy Sneezer - Director of Photography |
| 1929 | Dad's Day - Director of Photography |
| 1929 | Men O' War - Director of Photography |
| 1929 | Unaccustomed as We Are - Director of Photography |
| 1929 | Big Business - Director of Photography |
| 1929 | Wrong Again - Director of Photography |
| 1928 | We Faw Down - Director of Photography |
| 1928 | Feed 'em and Weep - Director of Photography |
| 1928 | Early to Bed - Director of Photography |
| 1928 | Should Married Men Go Home? - Director of Photography |
| 1928 | Should Women Drive? - Director of Photography |
| 1928 | The Valley of Hell - Cinematography |
| 1928 | Should Tall Men Marry? - Director of Photography |
| 1927 | The Battle of the Century - Director of Photography |
| 1927 | Putting Pants on Philip - Director of Photography |
| 1927 | The Second 100 Years - Director of Photography |
| 1927 | The Girl from Gay Paree - Director of Photography |
| 1927 | Lightning - Director of Photography |
| 1927 | No Man's Law - Director of Photography |
| 1926 | The Desert's Toll - Director of Photography |
| 1925 | Black Cyclone - Director of Photography |
Duvar