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| 2025 | The Monkey as Beauchamps |
| 2026 | Backrooms - Director of Photography |
| 2026 | Mile End Kicks - Director of Photography |
| 2025 | Keeper - Director of Photography |
| 2025 | The Monkey - Second Unit Director of Photography |
| 2024 | Inedia - Director of Photography |
| 2024 | On a Sunday at Eleven - Director of Photography |
| 2024 | Cambaz - Second Unit Director of Photography |
| 2023 | Where the Time Goes - Director of Photography |
| 2023 | Metamorphypus - Director of Photography |
| 2022 | Until Branches Bend - Director of Photography |
| 2022 | Like Father, Like Son - Director of Photography |
| 2022 | Anyox - Director of Photography |
| 2021 | Someone Like Me - Additional Photography |
| 2020 | Flowers of the Field - Director of Photography |
| 2020 | Spring Tide - Director of Photography |
| 2020 | BARE BONES - Director of Photography |
| 2020 | Love Is a Hand Grenade - Director of Photography |
| 2019 | The Maids Will Come on Monday - Director of Photography |
| 2019 | Recess: Third Street - Director of Photography |
| 2019 | Labour/Leisure - Director of Photography |
| 2019 | Raw Milk - Director of Photography |
| 2018 | Girl on a Bus - Director of Photography |
| 2017 | Medical Drama - Cinematography |
| 2017 | Medical Drama - Director of Photography |
| 2017 | Luk'Luk'I - Director of Photography |
| 2015 | Never Steady, Never Still - Director of Photography |
| 2015 | Penny’s For Tea - Director of Photography |
| 2014 | Spaces and Reservations - Director of Photography |
| Life's Red Light (or 'Doomers') - Cinematography |
Duvar