Profil Görüntüleri
25 Görüntüler
| Doğum yeri | Fort Wayne, Indiana, USA |
| Doğum günü | 1908-10-06 |
| Ölüm | 1942-01-16 |
| Ayrıca şöyle bilinir | Кэрол Ломбард Carol Lombard Jane Peters Jane Alice Peters |
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Carole Lombard (born Jane Alice Peters, October 6, 1908 – January 16, 1942) was an American film actress. She was particularly noted for her energetic, often off-beat roles in the screwball comedies of the 1930s. She was the highest-paid star in Hollywood in the late 1930s. She was the third wife of actor Clark Gable. Lombard was born into a wealthy family in Fort Wayne, Indiana, but was raised in Los Angeles by her single mother. At 12, she was recruited by the film director Allan Dwan and made her screen debut in A Perfect Crime (1921). Eager to become an actress, she signed a contract with the Fox Film Corporation at age 16, but mainly played bit parts. She was dropped by Fox after a car accident left a scar on her face. Lombard appeared in 15 short comedies for Mack Sennett between 1927 and 1929, and then began appearing in feature films such as High Voltage and The Racketeer. After a successful appearance in The Arizona Kid (1930), she was signed to a contract with Paramount Pictures. Paramount quickly began casting Lombard as a leading lady, primarily in drama films. Her profile increased when she married William Powell in 1931, but the couple divorced after two years. A turning point in Lombard's career came when she starred in Howard Hawks' pioneering screwball comedy Twentieth Century (1934). The actress found her niche in this genre, and continued to appear in films such as Hands Across the Table (1935) (forming a popular partnership with Fred MacMurray), My Man Godfrey (1936), for which she was nominated for the Academy Award for Best Actress, and Nothing Sacred (1937). At this time, Lombard married "the King of Hollywood", Clark Gable, and the supercouple gained much attention from the media. Keen to win an Oscar, at the end of the decade, Lombard began to move towards more serious roles. Unsuccessful in this aim, she returned to comedy in Alfred Hitchcock's Mr. & Mrs. Smith (1941) and Ernst Lubitsch's To Be or Not to Be (1942)—her final film role. Lombard's career was cut short when she died at the age of 33 in an airplane crash on Mount Potosi, Nevada while returning from a war bond tour. Today, she is remembered as one of the definitive actresses of the screwball comedy genre and American comedy, and ranks among the American Film Institute's greatest female stars of classic Hollywood cinema.
Oyuncu
| 2023 | The Love Story of Jean Harlow and William Powell |
| 2021 | Normandie ne partira pas ce soir |
| 2016 | Carole Lombard as Herself |
| 2005 | William Powell: A True Gentleman |
| 1994 | That's Entertainment! III as (archive footage) |
| 1990 | Anthony Quinn: An Original as Self (archive footage) |
| 1988 | The Making of a Legend: Gone with the Wind as Self (archive footage) |
| 1987 | Hollywood's Hidden Secrets as (archive footage) |
| 1984 | Going Hollywood: The '30s as (archive footage) |
| 1983 | Hollywood Out-takes and Rare Footage as Self (archive footage) (uncredited) |
| 1982 | Showbiz Goes to War as (archive footage) |
| 1982 | Oops, Those Hollywood Bloopers! as Self (archive footage) |
| 1975 | Brother, Can You Spare a Dime? as Self (archive footage) |
| 1975 | Gable: The King Remembered as Herself (archive footage) |
| 1968 | Dear Mr. Gable as (archive footage) |
| 1964 | The Big Parade of Comedy as Mary Magiz in 'The Gay Bride' (archive footage) |
| 1961 | Hollywood: The Selznick Years as 'Nothing Sacred' (archive footage) (uncredited) |
| 1957 | The Golden Age of Comedy as archive footage |
| 1953 | Yesterday and Today as (archive footage) |
| 1942 | Olmak ya da Olmamak as Maria Tura |
| 1942 | Screen Snapshots (Series 22, No. 10) as Self (archive footage) |
| 1941 | Bay ve Bayan Smith as Ann |
| 1940 | They Knew What They Wanted as Amy Peters |
| 1940 | Vigil in the Night as Anne Lee |
| 1939 | In Name Only as Julie Eden |
| 1939 | Made for Each Other as Jane Mason |
| 1938 | Breakdowns of 1938 as Kay Winters (archive footage) (uncredited) |
| 1938 | Hollywood Goes to Town as Self |
| 1938 | Fools for Scandal as Kay Winters |
| 1937 | True Confession as Helen Bartlett |
| 1937 | Yalancılar Şahı as Hazel Flagg |
| 1937 | Swing High, Swing Low as Maggie King |
| 1936 | My Man Godfrey as Irene Bullock |
| 1936 | The Princess Comes Across as Princess Olga / Wanda Nash |
| 1936 | Love Before Breakfast as Kay Colby |
| 1935 | The Fashion Side of Hollywood as Self |
| 1935 | Hands Across the Table as Regi Allen |
| 1935 | Rumba as Diana Harrison |
| 1934 | The Gay Bride as Mary Magiz |
| 1934 | Lady by Choice as Alabam Lee |
| 1934 | Now and Forever as Toni Carstairs Day |
| 1934 | Twentieth Century as Lily Garland, formerly Mildred Plotka |
| 1934 | We're Not Dressing as Doris Worthington |
| 1934 | Bolero as Helen Hathaway |
| 1933 | White Woman as Judith Denning |
| 1933 | Brief Moment as Abby Fane Deane |
| 1933 | The Eagle and the Hawk as The Beautiful Lady |
| 1933 | Supernatural as Roma Courtney |
| 1933 | From Hell to Heaven as Colly Tanner |
| 1932 | No Man of Her Own as Connie Randall |
| 1932 | No More Orchids as Annie Holt |
| 1932 | Virtue as Mae |
| 1932 | Sinners in the Sun as Doris Blake |
| 1932 | No One Man as Penelope 'Nep' Newbold |
| 1931 | I Take This Woman as Kay Dowling |
| 1931 | Up Pops the Devil as Anne Merrick |
| 1931 | Ladies' Man as Rachel Fendley |
| 1931 | Man of the World as Mary Kendall |
| 1931 | It Pays to Advertise as Mary Grayson |
| 1930 | Fast and Loose as Alice O'Neil |
| 1930 | Safety in Numbers as Pauline |
| 1930 | The Arizona Kid as Virginia Hoyt |
| 1929 | The Racketeer as Rhoda Philbrooke |
| 1929 | Big News as Margaret Banks |
| 1929 | High Voltage as Billie ("Phyllis") |
| 1929 | Don't Get Jealous as Girl at Shoeshine Stand (uncredited) |
| 1929 | Matchmaking Mamma as Phyllis (as Carol Lombard) |
| 1928 | Ned McCobb's Daughter as Jennie |
| 1928 | The Campus Vamp as Carole (as Carol Lombard) |
| 1928 | Hubby's Weekend Trip as Minor Role (uncredited) |
| 1928 | Me, Gangster as Blonde Rosie |
| 1928 | Show Folks as Cleo (as Carol Lombard) |
| 1928 | Motorboat Mamas as Automobile Passenger |
| 1928 | Motorboat Mamas as Automobile Passenger (uncredited) |
| 1928 | Power as Another Dame (as Carol Lombard) |
| 1928 | The Campus Carmen as Carole |
| 1928 | Smith's Restaurant as Minor Role (uncredited) |
| 1928 | His Unlucky Night as Peggy - Telephone Operator |
| 1928 | The Girl from Nowhere as Miss Boyle - Dress Shop Owner |
| 1928 | The Divine Sinner as Millie Claudert |
| 1928 | The Bicycle Flirt as Mabel - the Wife's Sister |
| 1928 | The Swim Princess as Trudy - the Swim Star |
| 1928 | The Best Man as Wedding Guest (uncredited) |
| 1928 | Smith's Army Life as Clarence's Wife |
| 1928 | The Beach Club as Jump Rope Girl on Beach |
| 1928 | Run, Girl, Run as Norma Nurmi |
| 1927 | The Girl from Everywhere as Vera Veranda - Miss Anybody |
| 1927 | My Best Girl as Flirty Blonde Salesgirl (uncredited) |
| 1927 | Gold Digger of Weepah as Fortune Teller (uncredited) |
| 1927 | Smith's Pony as Lillian Saunders |
| 1927 | The Fighting Eagle as (unconfirmed) |
| 1926 | The Johnstown Flood as Gloria's Bridesmaid (uncredited) |
| 1926 | The Road to Glory as Bit Part (as Carol Lombard) |
| 1925 | Ben-Hur: A Tale of the Christ as Slave Girl (uncredited) |
| 1925 | The Plastic Age as Co-ed (uncredited) |
| 1925 | Durand of the Bad Lands as Ellen Boyd |
| 1925 | Pretty Ladies as Showgirl (uncredited) |
| 1925 | Hearts and Spurs as Sybil Estabrook |
| 1925 | Gold and the Girl |
| 1925 | Marriage in Transit as Celia Hathaway |
| 1925 | Dick Turpin as Crowd Extra (uncredited) |
| 1924 | Gold Heels as Bit (uncredited) |
| 1921 | A Perfect Crime as Griggs' Kid Sister (as Jane Peters) |
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