Profil Görüntüleri
1 Görüntüler
| Doğum yeri | New York City, New York, USA |
| Doğum günü | 1897-01-12 |
| Ölüm | 1961-02-13 |
| Ayrıca şöyle bilinir | Arthur D. Ripley |
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Arthur DeWitt Ripley (January 12, 1897 – February 13, 1961) was an American film screenwriter, editor, producer and director. In 1923, he joined the Mack Sennett studio as a comedy writer. In the 1920s, he worked closely with Frank Capra churning out screenplays for many movies. After breaking with Capra and the Sennett studio, Ripley again returned to being a gag-writer, screenwriter, and occasional director, making short films with such comedians as W. C. Fields and Edgar Kennedy. His directorial work in the 1940s, Voice in the Wind (1944) and The Chase (1946), were both critical successes, but neither film were boxoffice hits. Ripley entered the world of academia, helping to establish the Film Center at U.C.L.A. while also working occasionally on TV. Ripley returned to directing one more time, at the request of Robert Mitchum, for Thunder Road (1958) before returning to U.C.L.A. and working until his death in 1961.
Diğer Roller
| 2000 | W.C. Fields: 6 Short Films - Director |
| 1958 | Thunder Road - Director |
| 1958 | Thunder Road - Producer |
| 1955 | Dark Stranger - Director |
| 1946 | The Chase - Director |
| 1944 | Voice in the Wind - Director |
| 1944 | Voice in the Wind - Original Story |
| 1943 | Hold Your Temper - Writer |
| 1942 | Prisoner of Japan - Director |
| 1942 | Prisoner of Japan - Screenplay |
| 1942 | Wedded Blitz - Writer |
| 1939 | Everybody's Hobby - Dialogue |
| 1939 | Waterfront - Screenplay |
| 1938 | I Met My Love Again - Director |
| 1936 | How to Train a Dog - Director |
| 1936 | How to Behave - Director |
| 1936 | Will Power - Director |
| 1936 | Gasoloons - Director |
| 1935 | In Love at 40 - Director |
| 1935 | Edgar Hamlet - Director |
| 1935 | The Leather Necker - Director |
| 1935 | The Leather Necker - Writer |
| 1934 | Shivers - Director |
| 1934 | Shivers - Writer |
| 1934 | In the Dog House - Director |
| 1934 | In the Dog House - Screenplay |
| 1934 | Counsel on De Fence - Director |
| 1934 | Elmer Steps Out - Screenplay |
| 1933 | The Barber Shop - Director |
| 1933 | The Pharmacist - Director |
| 1933 | The Wrestler's Bride - Director |
| 1933 | The Wrestler's Bride - Writer |
| 1931 | Hold 'er Sheriff - Writer |
| 1930 | The Bluffer - Screenplay |
| 1930 | Hide-Out - Writer |
| 1930 | Captain of the Guard - Adaptation |
| 1928 | Heart Trouble - Director |
| 1928 | The Chaser - Story |
| 1927 | Fiddlesticks - Story |
| 1927 | Three's a Crowd - Story |
| 1927 | His First Flame - Story |
| 1927 | Long Pants - Story |
| 1927 | The Jolly Jilter - Writer |
| 1926 | The Strong Man - Editor |
| 1926 | The Strong Man - Writer |
| 1926 | Hooked at the Altar - Director |
| 1926 | Tramp, Tramp, Tramp - Story |
| 1926 | Saturday Afternoon - Story |
| 1925 | Lucky Stars - Story |
| 1925 | Remember When? - Writer |
| 1925 | His Marriage Wow - Screenplay |
| 1925 | Boobs in the Wood - Writer |
| 1924 | All Night Long - Writer |
| 1924 | Wandering Waistlines - Writer |
| 1924 | A Lady of Quality - Adaptation |
| 1922 | Foolish Wives - Editor |
| 1921 | Life's Darn Funny - Scenario Writer |
| 1920 | Alias Jimmy Valentine - Director |
| 1915 | The Wonderful Adventure - Camera Operator |
| 1915 | Should a Mother Tell - Camera Operator |
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