Profil Görüntüleri
1 Görüntüler
| Doğum yeri | Grosseto, Tuscany, Italy |
| Doğum günü | 1938-08-04 |
| Ölüm | 1992-08-08 |
| Ayrıca şöyle bilinir | Nuova Consonanza Werter Pierazzuoli |
Oy
Egisto Macchi (4 August 1938 – 8 August 1992) was an Italian composer. Born in Grosseto, Macchi moved to Rome to study composition, piano, violin and singing with Roman Vlad (1946–51) and Hermann Scherchen (1949–54), among others. It was around this period that he also studied literature and human physiology at La Sapienza University. From the late fifties, he began his collaboration with a group of musicians (Franco Evangelisti, Domenico Guaccero and Daniele Paris), to whom he was bound by intense friendship. Together with Domenico Guaccero, Daniele Paris and Antonino Titone, he was one of the editors of the magazine Orders, which first appeared in 1959. With Bertoncini, Bortolotti, Clementi, De Blasio, Evangelisti, Guaccero, Paris, Pennisi, and Franco Norris, he founded the Association of New Consonance in 1960. He made a frequent hand at directing the association, and he held the office of President from 1980 to 1982, and also in 1989. From the day of its conception, he followed the activity of the International Week of New Music in Palermo. After creating the Musical Theatre of Rome with Guaccero, he founded Studio R7, an experimental, electronic music laboratory born in 1967. It is in the same year that he joined Franco Evangelisti's Gruppo di Improvvisazione di Nuova Consonanza, an avant garde improvisation group that also recruited Macchi's close friend and collaborator Ennio Morricone. In 1978, he was part of the Italian commission for the music of UNICEF, together with Luis Bacalov, Franco Evangelisti, Ennio Morricone and Nino Rota. In 1983, he created, together with Guaccero, the Institute of Voice, seeking to deal with problems related to vocal work in the field of classical music and folk music of all continents. The institute made use of new technologies in the field of electronics and cybernetics. He took over the direction of the institute after the death of his friend in 1984. Further initiatives followed. In 1984 he became one of the founders of I.R.T.E.M (Institute of Research for Musical Theatre), together with Paola Bernardi, Carlo Marinelli and Ennio Morricone. In this context he also founded the Sound Archive for Contemporary Music, of which he was the director until his death. It is with the Sound Archive that he created a series of conferences, meetings and seminars for the knowledge and diffusion of contemporary music. In his last years, he had been working with Ennio Morricone to promote the 'New Opera'. In November 1991 he completed La Bohème, a transcription for sixteen instruments and four synthesizers, and Morricone similarly adapted Tosca. Both works were ready to be staged when Macchi died in 1992. Macchi described his music as Dionysian and he credited this to a profound period of loss and despair: "[I experienced a] time of loss... But it was only a moment, though that lasted almost a year: a moment of silence and despair. Today I found the strength to walk" (to Titone on December 23, 1957: Titone 1980, 161). Such a feeling of rebirth is evident in the earlier work Composizione (1958) for chamber orchestra in which sounds flow from silence in the frame of a "process narrative" (Titone 1980, 43). ... Source: Article "Egisto Macchi" from Wikipedia in English, licensed under CC-BY-SA.
Diğer Roller
| 2021 | Il mondo a scatti - Music |
| 2020 | Çirkin Masallar - Music |
| 1990 | Giallo alla regola - Original Music Composer |
| 1989 | The Rose Garden - Original Music Composer |
| 1989 | A proposito di quella strana ragazza - Original Music Composer |
| 1989 | Leyla ile Mecnun - Original Music Composer |
| 1988 | Una donna spezzata - Original Music Composer |
| 1988 | Le due croci - Original Music Composer |
| 1988 | Cambiamento d'aria - Original Music Composer |
| 1987 | Havinck - Original Music Composer |
| 1987 | La Milano di Achille Bertarelli - Original Music Composer |
| 1987 | Maskara - Original Music Composer |
| 1987 | Dagboek van een oude dwaas - Original Music Composer |
| 1987 | Le lunghe ombre - Original Music Composer |
| 1986 | Salomé - Original Music Composer |
| 1986 | Five Lionni Classics - Original Music Composer |
| 1983 | Une pierre dans la bouche - Original Music Composer |
| 1983 | Le Cercle des passions - Original Music Composer |
| 1982 | Mora - Original Music Composer |
| 1982 | Capitali a confronto: Le periferie - Original Music Composer |
| 1982 | Capitali a confronto: Il ventre della città - Original Music Composer |
| 1982 | Capitali a confronto: Il fiume e la città - Original Music Composer |
| 1982 | Capitali a confronto: Copenaghen - Original Music Composer |
| 1982 | L'ultima diva: Francesca Bertini - Music |
| 1981 | Charlotte - Original Music Composer |
| 1980 | La verdad sobre el caso Savolta - Original Music Composer |
| 1980 | Pol. Bru. - Music |
| 1979 | Volontari per destinazione ignota - Original Music Composer |
| 1978 | Circuito chiuso - Original Music Composer |
| 1977 | Babam ve Ustam - Conductor |
| 1977 | Babam ve Ustam - Original Music Composer |
| 1976 | Kaderi Arayan Adam - Conductor |
| 1976 | Kaderi Arayan Adam - Original Music Composer |
| 1975 | Ganga - Original Music Composer |
| 1975 | Il fratello - Original Music Composer |
| 1974 | Il tempo dell'inizio - Original Music Composer |
| 1974 | E cominciò il viaggio nella vertigine - Conductor |
| 1974 | E cominciò il viaggio nella vertigine - Original Music Composer |
| 1973 | Il delitto Matteotti - Original Music Composer |
| 1973 | Gli amici degli amici hanno saputo - Original Music Composer |
| 1973 | La villeggiatura - Original Music Composer |
| 1972 | L'Assassinat de Trotsky - Original Music Composer |
| 1972 | Il cancelliere Krehler - Music |
| 1971 | Tre nel mille - Original Music Composer |
| 1971 | L'attaccatura - Original Music Composer |
| 1969 | Laudato Sii Mio Signore - Music |
| 1968 | Esperienze in uno spazio non teatrale - Original Music Composer |
| 1968 | Il ricevimento - Original Music Composer |
| 1968 | (A)lter (A)ction - Original Music Composer |
| 1968 | L'Apparizione - Music |
| 1968 | Gangsters '70 - Original Music Composer |
| 1968 | La ragazza di plastica - Original Music Composer |
| 1967 | Bandidos - Original Music Composer |
| 1967 | Essere capo - Original Music Composer |
| 1967 | Cronache dell'eternità - Music |
| 1967 | LSD - Inferno per pochi dollari - Original Music Composer |
| 1967 | Radiografia della miseria - Music |
| 1966 | Il lagno - Original Music Composer |
| 1966 | Brindisi '65 - Original Music Composer |
| 1965 | Tommaso - Original Music Composer |
| 1965 | Viaggio in Lucania - Original Music Composer |
| 1965 | Essere donne - Original Music Composer |
| 1965 | Il male di San Donato - Original Music Composer |
| 1964 | Li mali mistieri - Original Music Composer |
| 1963 | L' uomo e la maschera - Original Music Composer |
| 1963 | Di domenica - Original Music Composer |
| 1963 | Lotta contro i mostri - Original Music Composer |
| 1963 | Divino Amore - Original Music Composer |
| 1963 | Fazzoletti di terra - Original Music Composer |
| 1963 | Il putto - Original Music Composer |
| 1963 | Le finestre - Original Music Composer |
| 1962 | Le prigioniere dell'isola del diavolo - Original Music Composer |
| 1962 | All'armi siam fascisti! - Original Music Composer |
| 1962 | Il giustiziere dei mari - Original Music Composer |
| 1962 | Benito Mussolini, anatomia di un dittatore - Original Music Composer |
| 1962 | Le nerte - Music |
| 1962 | La Canta delle Marane - Original Music Composer |
| 1961 | Il covo - Music |
| 1961 | Fata Morgana - Original Music Composer |
| 1960 | Maria e i giorni - Original Music Composer |
| 1960 | Stendalì: Suonano ancora - Original Music Composer |
| 1960 | Via Tasso - Original Music Composer |
| 1960 | La croce - Music |
| 1959 | Il mago - Original Music Composer |
Duvar