Profil Görüntüleri
11 Görüntüler
| Doğum yeri | Shinagawa, Tokyo Prefecture, Japan |
| Doğum günü | 1910-03-23 |
| Ölüm | 1998-09-06 |
| Ayrıca şöyle bilinir | أكيرا كوروساوا อะกิระ คุโระซะวะ 黑澤明 Kurosawa Akira 아키라 구로사와 쿠로사와 아키라 아키라 쿠로사와 |
Oy
Akira Kurosawa (黒澤 明) was a Japanese filmmaker and painter who directed thirty films in a career spanning over five decades. He is widely regarded as one of the greatest and most influential filmmakers in the history of cinema. He displayed a bold, dynamic style, strongly influenced by Western cinema yet distinct from it; he was involved with all aspects of film production. Kurosawa entered the Japanese film industry in 1936, following a brief stint as a painter. After years of working on numerous films as an assistant director and scriptwriter, he made his debut as a director during World War II with the popular action film Sanshiro Sugata (1943). After the war, the critically acclaimed Drunken Angel (1948), in which Kurosawa cast the then little-known actor Toshiro Mifune in a starring role, cemented the director's reputation as one of the most important young filmmakers in Japan. The two men would go on to collaborate on another fifteen films. Rashomon (1950), which premiered in Tokyo, became the surprise winner of the Golden Lion at the 1951 Venice Film Festival. The commercial and critical success of that film opened up Western film markets for the first time to the products of the Japanese film industry, which in turn led to international recognition for other Japanese filmmakers. Kurosawa directed approximately one film per year throughout the 1950s and early 1960s, including a number of highly regarded (and often adapted) films, such as Ikiru (1952), Seven Samurai (1954), Throne of Blood (1957), Yojimbo (1961) and High and Low (1963). After the 1960s he became much less prolific; even so, his later work—including two of his final films, Kagemusha (1980) and Ran (1985)—continued to receive great acclaim. In 1990, he accepted the Academy Award for Lifetime Achievement. Posthumously, he was named Asian of the Century in the Arts, Literature, and Culture category by AsianWeek magazine and CNN, cited there as being among the five people who most prominently contributed to the improvement of Asia in the 20th century. His career has been honored by many retrospectives, critical studies and biographies in both print and video, and by releases in many consumer media.
Oyuncu
Diğer Roller
| 2022 | Yaşamak - Original Film Writer |
| 2016 | Muhteşem Yedili - Original Film Writer |
| 2008 | 隠し砦の三悪人 - Original Story |
| 2007 | 椿三十郎 - Writer |
| 2007 | 生きる - Screenplay |
| 2007 | 天国と地獄 - Original Film Writer |
| 2002 | 海は見ていた - Screenplay |
| 2001 | Kaze no Youjinbou - Original Film Writer |
| 2000 | どら平太 - Screenplay |
| 2000 | 雨あがる - Writer |
| 1999 | Hayalet Köpek: Samurayın Yolu - Thanks |
| 1996 | Son Adam - Original Film Writer |
| 1993 | まあだだよ - Director |
| 1993 | まあだだよ - Editor |
| 1993 | まあだだよ - Screenplay |
| 1993 | まあだだよ - Storyboard Artist |
| 1991 | 八月の狂詩曲 - Director |
| 1991 | 八月の狂詩曲 - Editor |
| 1991 | 八月の狂詩曲 - Screenplay |
| 1990 | Düşler - Director |
| 1990 | Düşler - Screenplay |
| 1990 | Düşler - Storyboard Artist |
| 1985 | Firar Treni - Original Film Writer |
| 1985 | Ran - Director |
| 1985 | Ran - Editor |
| 1985 | Ran - Screenplay |
| 1985 | Ran - Storyboard Artist |
| 1980 | Gölge Savaşçı - Director |
| 1980 | Gölge Savaşçı - Editor |
| 1980 | Gölge Savaşçı - Executive Producer |
| 1980 | Gölge Savaşçı - Producer |
| 1980 | Gölge Savaşçı - Screenplay |
| 1980 | Gölge Savaşçı - Storyboard Artist |
| 1975 | Dersu Uzala - Director |
| 1975 | Dersu Uzala - Screenplay |
| 1973 | 野良犬 - Original Story |
| 1971 | 馬の歌 - Director |
| 1970 | Dodesukaden - Director |
| 1970 | Dodesukaden - Executive Producer |
| 1970 | Dodesukaden - Screenplay |
| 1968 | 血城 - Original Film Writer |
| 1965 | 姿三四郎 - Producer |
| 1965 | 姿三四郎 - Writer |
| 1965 | Kızıl Sakal - Director |
| 1965 | Kızıl Sakal - Editor |
| 1965 | Kızıl Sakal - Screenplay |
| 1964 | Haydut - Original Story |
| 1964 | Bir Avuç Dolar - Original Story |
| 1964 | ジャコ萬と鉄 - Screenplay |
| 1963 | Yüksek ve Alçak - Associate Producer |
| 1963 | Yüksek ve Alçak - Director |
| 1963 | Yüksek ve Alçak - Editor |
| 1963 | Yüksek ve Alçak - Screenplay |
| 1962 | 殺陣師段平 - Screenplay |
| 1962 | Sanjuro - Director |
| 1962 | Sanjuro - Editor |
| 1962 | Sanjuro - Screenplay |
| 1961 | Yojimbo - Director |
| 1961 | Yojimbo - Editor |
| 1961 | Yojimbo - Producer |
| 1961 | Yojimbo - Screenplay |
| 1960 | Play of the Week: Rashomon - Original Film Writer |
| 1960 | Muhteşem Yedili - Original Film Writer |
| 1960 | Ahmaklar Barış İçinde Uyuyor - Director |
| 1960 | Ahmaklar Barış İçinde Uyuyor - Editor |
| 1960 | Ahmaklar Barış İçinde Uyuyor - Producer |
| 1960 | Ahmaklar Barış İçinde Uyuyor - Writer |
| 1959 | 戦国群盗傳 - Script |
| 1959 | 戦国群盗傳 - Writer |
| 1958 | Saklı Kale - Director |
| 1958 | Saklı Kale - Editor |
| 1958 | Saklı Kale - Producer |
| 1958 | Saklı Kale - Screenplay |
| 1957 | 日露戦争勝利の秘史 敵中横断三百里 - Screenplay |
| 1957 | どん底 - Director |
| 1957 | どん底 - Editor |
| 1957 | どん底 - Producer |
| 1957 | どん底 - Screenplay |
| 1957 | Kanlı Taht - Director |
| 1957 | Kanlı Taht - Editor |
| 1957 | Kanlı Taht - Producer |
| 1957 | Kanlı Taht - Screenplay |
| 1955 | 生きものの記録 - Director |
| 1955 | 生きものの記録 - Story |
| 1955 | あすなろ物語 - Editor |
| 1955 | あすなろ物語 - Screenplay |
| 1955 | 消えた中隊 - Screenplay |
| 1954 | Yedi Samuray - Director |
| 1954 | Yedi Samuray - Editor |
| 1954 | Yedi Samuray - Screenplay |
| 1953 | 吹けよ春風 - Screenplay |
| 1952 | Yaşamak - Director |
| 1952 | Yaşamak - Editor |
| 1952 | Yaşamak - Screenplay |
| 1952 | 戦国無頼 - Screenplay |
| 1952 | 虎の尾を踏む男達 - Director |
| 1952 | 虎の尾を踏む男達 - Writer |
| 1952 | 荒木又右衛門 決闘鍵屋の辻 - Writer |
| 1951 | 獣の宿 - Screenplay |
| 1951 | 白痴 - Director |
| 1951 | 白痴 - Editor |
| 1951 | 白痴 - Screenplay |
| 1951 | 愛と憎しみの彼方へ - Screenplay |
| 1950 | 殺陣師段平 - Adaptation |
| 1950 | Raşomon - Director |
| 1950 | Raşomon - Editor |
| 1950 | Raşomon - Screenplay |
| 1950 | ジルバの鉄 - Screenplay |
| 1950 | 醜聞 - Director |
| 1950 | 醜聞 - Screenplay |
| 1950 | 暁の脱走 - Screenplay |
| 1949 | Kuduz Köpek - Associate Producer |
| 1949 | Kuduz Köpek - Director |
| 1949 | Kuduz Köpek - Writer |
| 1949 | ジャコ萬と鉄 - Writer |
| 1949 | 静かなる決闘 - Director |
| 1949 | 静かなる決闘 - Writer |
| 1949 | 地獄の貴婦人 - Writer |
| 1948 | 肖像 - Screenplay |
| 1948 | 酔いどれ天使 - Director |
| 1948 | 酔いどれ天使 - Writer |
| 1947 | 銀嶺の果て - Screenplay |
| 1947 | 素晴らしき日曜日 - Director |
| 1947 | 素晴らしき日曜日 - Screenplay |
| 1947 | 四つの恋の物語 - Screenplay |
| 1946 | わが青春に悔なし - Director |
| 1946 | わが青春に悔なし - Editor |
| 1946 | わが青春に悔なし - Writer |
| 1946 | 明日を創る人々 - Director |
| 1945 | 續 姿三四郎 - Director |
| 1945 | 續 姿三四郎 - Screenplay |
| 1945 | 天晴れ一心太助 - Screenplay |
| 1944 | 一番美しく - Director |
| 1944 | 一番美しく - Writer |
| 1944 | 土俵祭 - Writer |
| 1943 | 愛の世界 山猫とみの話 - Writer |
| 1943 | Sanşiro Sugata - Director |
| 1943 | Sanşiro Sugata - Editor |
| 1943 | Sanşiro Sugata - Screenplay |
| 1942 | 翼の凱歌 - Writer |
| 1942 | 青春の気流 - Story |
| 1941 | 馬 - Assistant Director |
| 1941 | 馬 - Writer |
| 1940 | ロッパの新婚旅行 - Assistant Director |
| 1939 | のんき横丁 - Assistant Director |
| 1939 | エノケンのがっちり時代 - Assistant Director |
| 1938 | エノケンのびっくり人生 - Assistant Director |
| 1938 | 綴方教室 - Assistant Director |
| 1938 | 藤十郎の恋 - Assistant Director |
| 1938 | 地熱 - Assistant Director |
| 1937 | 美しき鷹 - First Assistant Director |
| 1937 | 雪崩 - Assistant Director |
| 1937 | 雪崩 - Second Unit |
| 1937 | 日本女性読本 - Third Assistant Director |
| 1937 | 戦国群盗伝 後篇 暁の前進 - Third Assistant Director |
| 1937 | 戦国群盗傳 前篇 虎狼 - Third Assistant Director |
| 1936 | 続エノケンの千万長者 - Third Assistant Director |
| 1936 | エノケンの千万長者 - Third Assistant Director |
| 1936 | 處女花園 - Assistant Director |
| A Fistful of Dollars Remake - Original Film Writer | |
| Highest 2 Lowest - Original Film Writer |
Duvar