Profil Görüntüleri
3 Görüntüler
| Doğum yeri | Shizuoka, Japan |
| Doğum günü | 1912-12-03 |
| Ölüm | 1998-12-30 |
| Ayrıca şöyle bilinir | 木下正吉 (本名) 木下恵介 Кэйскэ Киносьта Кэйсукэ Киносита Кэйскэ Киносита 키노시타 케이스케 기노시타 케이스케 کیسوکه کینوشیتا Shōkichi Kinoshita |
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Keisuke Kinoshita (木下 惠介, Kinoshita Keisuke, December 5, 1912 – December 30, 1998) was a Japanese film director. Hugely popular in his home country of Japan, Keisuke Kinoshita worked tirelessly as a director for nearly half a century, making lyrical, sentimental films that often center on the inherent goodness of people, especially in times of distress. He began his directing career during a most challenging time for Japanese cinema: World War II, when the industry’s output was closely monitored by the state and often had to be purely propagandistic. He refused to be bound by genre, technique, or dogma. Kinoshita excelled in almost every genre: comedy, tragedy, social dramas, period films. He shot all films on location or in a one-house set. He pursued severe photographic realism with the long take, long-shot method, and went equally far toward stylization with fast cutting, intricate wipes, tilted cameras, and even classical scroll-painting and Kabuki stage technique. Kinoshita was highly prolific, turning out some 42 films in the first 23 years of his career. For this, Kinoshita explained that he "can’t help it. Ideas for films have always just popped into my head like scraps of paper into a wastebasket." While lesser-known internationally than contemporaries such as Akira Kurosawa, Kenji Mizoguchi and Yasujirō Ozu, he was a household figure in his home country, beloved by both critics and audiences from the 1940s to the 1960s. Although few concrete details have emerged about Kinoshita's personal life, his homosexuality was widely known in the film world. Screenwriter and frequent collaborator Yoshio Shirasaka recalls the "brilliant scene" Kinoshita made with the handsome, well-dressed assistant directors he surrounded himself with. His 1959 film Farewell to Spring (Sekishuncho) has been called "Japan's first gay film" for the emotional intensity depicted between its male characters. Kinoshita received the Order of the Rising Sun in 1984 and was awarded the Order of Culture in 1991 by the Japanese government. He died on December 30, 1998, of a stroke. His grave is in Engaku-ji in Kamakura, very near to that of his fellow Shochiku director, Yasujirō Ozu.
Oyuncu
| 1983 | 生きてはみたけれど・小津安二郎伝 as Self |
| 1954 | 二十四の瞳 as (uncredited) |
Diğer Roller
| 2024 | カルメン故郷に帰る - Original Story |
| 2000 | どら平太 - Screenplay |
| 1988 | 父 - Director |
| 1988 | 父 - Writer |
| 1987 | 二十四の瞳 - Screenplay |
| 1986 | 新・喜びも悲しみも幾歳月 - Director |
| 1986 | 新・喜びも悲しみも幾歳月 - Writer |
| 1983 | この子を残して - Director |
| 1983 | この子を残して - Original Story |
| 1983 | この子を残して - Writer |
| 1980 | 父よ母よ! - Director |
| 1980 | 父よ母よ! - Writer |
| 1979 | 衝動殺人 息子よ - Director |
| 1979 | 衝動殺人 息子よ - Screenplay |
| 1976 | スリランカの愛と別れ - Director |
| 1976 | スリランカの愛と別れ - Writer |
| 1970 | Dodesukaden - Executive Producer |
| 1967 | 父子草 - Screenplay |
| 1967 | なつかしき笛や太鼓 - Director |
| 1967 | なつかしき笛や太鼓 - Producer |
| 1967 | なつかしき笛や太鼓 - Screenplay |
| 1966 | あこがれ - Original Story |
| 1965 | 妻の日の愛のかたみに - Writer |
| 1964 | 香華 - Director |
| 1964 | 香華 - Producer |
| 1964 | 香華 - Writer |
| 1963 | 死闘の伝説 - Director |
| 1963 | 死闘の伝説 - Producer |
| 1963 | 死闘の伝説 - Screenplay |
| 1963 | 歌え若人達 - Director |
| 1963 | 歌え若人達 - Executive Producer |
| 1962 | しろばんば - Screenplay |
| 1962 | 二人で歩いた幾春秋 - Director |
| 1962 | 二人で歩いた幾春秋 - Producer |
| 1962 | 二人で歩いた幾春秋 - Screenplay |
| 1962 | 霧子の運命 - Screenplay |
| 1962 | 流し雛 - Screenplay |
| 1962 | 今年の恋 - Director |
| 1962 | 今年の恋 - Writer |
| 1961 | 永遠の人 - Director |
| 1961 | 永遠の人 - Producer |
| 1961 | 永遠の人 - Screenplay |
| 1961 | かあちゃんしぐのいやだ - Screenplay |
| 1960 | 笛吹川 - Director |
| 1960 | 笛吹川 - Producer |
| 1960 | 笛吹川 - Screenplay |
| 1960 | 春の夢 - Director |
| 1960 | 春の夢 - Screenplay |
| 1959 | 今日もまたかくてありなん - Director |
| 1959 | 今日もまたかくてありなん - Screenplay |
| 1959 | 惜春鳥 - Director |
| 1959 | 惜春鳥 - Screenplay |
| 1959 | 風花 - Director |
| 1959 | 風花 - Screenplay |
| 1958 | この天の虹 - Director |
| 1958 | この天の虹 - Writer |
| 1958 | 楢山節考 - Director |
| 1958 | 楢山節考 - Writer |
| 1957 | 風前の灯 - Director |
| 1957 | 風前の灯 - Screenplay |
| 1957 | 㐂びも悲しみも幾歳月 - Director |
| 1957 | 㐂びも悲しみも幾歳月 - Writer |
| 1956 | 太陽とバラ - Director |
| 1956 | 太陽とバラ - Screenplay |
| 1956 | 夕やけ雲 - Director |
| 1956 | 愛と智恵の輪 - Screenplay |
| 1955 | 野菊の如き君なりき - Director |
| 1955 | 野菊の如き君なりき - Screenplay |
| 1955 | 遠い雲 - Director |
| 1955 | 遠い雲 - Screenplay |
| 1954 | 二十四の瞳 - Director |
| 1954 | 二十四の瞳 - Screenplay |
| 1954 | 女の園 - Director |
| 1954 | 女の園 - Screenplay |
| 1953 | 恋文 - Screenplay |
| 1953 | 日本の悲劇 - Director |
| 1953 | 日本の悲劇 - Screenplay |
| 1953 | まごころ - Screenplay |
| 1952 | カルメン純情す - Director |
| 1952 | カルメン純情す - Screenplay |
| 1951 | 海の花火 - Director |
| 1951 | 海の花火 - Screenplay |
| 1951 | 少年期 - Director |
| 1951 | 少年期 - Screenplay |
| 1951 | カルメン故郷に帰る - Director |
| 1951 | カルメン故郷に帰る - Screenplay |
| 1951 | 善魔 - Director |
| 1951 | 善魔 - Screenplay |
| 1950 | 婚約指輪 - Director |
| 1950 | 婚約指輪 - Producer |
| 1950 | 婚約指輪 - Screenplay |
| 1949 | 破れ太鼓 - Director |
| 1949 | 破れ太鼓 - Screenplay |
| 1949 | 破れ太鼓 - Story |
| 1949 | 新釈四谷怪談 後篇 - Director |
| 1949 | 新釈四谷怪談 前篇 - Director |
| 1949 | お嬢さん乾杯 - Director |
| 1948 | 破戒 - Director |
| 1948 | 肖像 - Director |
| 1948 | 女 - Director |
| 1948 | 女 - Screenplay |
| 1947 | 不死鳥 - Director |
| 1947 | 不死鳥 - Screenplay |
| 1947 | 結婚 - Director |
| 1947 | 結婚 - Story |
| 1946 | わが恋せし乙女 - Director |
| 1946 | わが恋せし乙女 - Screenplay |
| 1946 | わが恋せし乙女 - Story |
| 1946 | 大曽根家の朝 - Director |
| 1944 | 陸軍 - Director |
| 1944 | 歓呼の町 - Director |
| 1943 | 生きてゐる孫六 - Director |
| 1943 | 生きてゐる孫六 - Writer |
| 1943 | 花咲く港 - Director |
| 1942 | Otoko no iki - Writer |
| 1942 | 間諜未だ死せず - Screenplay |
| 1939 | 五人の兄妹 - Idea |
| 1939 | 五人の兄妹 - Writer |
| 1937 | 浅草の灯 - Assistant Director |
| 1935 | 春琴抄 お琴と佐助 - Assistant Camera |
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