Profil Görüntüleri
| Doğum yeri | Del Rio, Tennessee, USA |
| Doğum günü | 1905-05-26 |
| Ölüm | 1983-05-30 |
Oy
While still a teenager, the future Academy Award-winning lensman began as an assistant cameraman in 1923 on John Ford's 1924 western saga The Iron Horse. He was then hired by the Famous Players-Lasky Studios in 1927, became a camera operator in 1928 and worked there until 1943. Guffey was hired as a Director of Photography by Columbia Pictures in 1944. In 1957-58 he served as president of the American Society of Cinematographers (A.S.C.) for a year, and had been a long standing member. According to film critic Spencer Selby, Guffey was a prolific film noir cinematographer, shooting 20 of them, including In a Lonely Place (1950).
Oyuncu
| 1969 | My Father: Gordon Parks as Self |
| 1969 | The Moviemakers as Self |
Diğer Roller
| 1971 | The Steagle - Director of Photography |
| 1970 | The Great White Hope - Director of Photography |
| 1970 | Suppose They Gave a War and Nobody Came? - Director of Photography |
| 1970 | Halls of Anger - Director of Photography |
| 1969 | The Madwoman of Chaillot - Director of Photography |
| 1969 | Some Kind of a Nut - Director of Photography |
| 1969 | The Learning Tree - Director of Photography |
| 1969 | Where It's At - Director of Photography |
| 1968 | The Split - Director of Photography |
| 1967 | The Ambushers - Director of Photography |
| 1967 | Bonnie ve Clyde - Director of Photography |
| 1967 | How to Succeed in Business Without Really Trying - Director of Photography |
| 1966 | The Silencers - Director of Photography |
| 1965 | Hain Kral - Director of Photography |
| 1964 | Good Neighbor Sam - Director of Photography |
| 1964 | Flight from Ashiya - Director of Photography |
| 1962 | Kid Galahad - Director of Photography |
| 1962 | Alkatraz Kuşçusu - Director of Photography |
| 1961 | Mr. Sardonicus - Director of Photography |
| 1961 | Homicidal - Director of Photography |
| 1961 | Cry for Happy - Director of Photography |
| 1960 | Let No Man Write My Epitaph - Director of Photography |
| 1960 | Hell to Eternity - Director of Photography |
| 1960 | The Mountain Road - Director of Photography |
| 1959 | Edge of Eternity - Director of Photography |
| 1959 | They Came to Cordura - Director of Photography |
| 1959 | Gidget - Director of Photography |
| 1959 | Dogface - Director of Photography |
| 1958 | Me and the Colonel - Director of Photography |
| 1958 | Screaming Mimi - Director of Photography |
| 1958 | The True Story of Lynn Stuart - Director of Photography |
| 1957 | Sundown'da Karar Günü - Director of Photography |
| 1957 | The Brothers Rico - Director of Photography |
| 1957 | The Strange One - Director of Photography |
| 1957 | Not One Shall Die - Director of Photography |
| 1956 | Nightfall - Director of Photography |
| 1956 | Storm Center - Director of Photography |
| 1956 | The Harder They Fall - Director of Photography |
| 1956 | Battle Stations - Director of Photography |
| 1955 | Three Stripes in the Sun - Director of Photography |
| 1955 | Count Three and Pray - Director of Photography |
| 1955 | Tight Spot - Director of Photography |
| 1955 | Öfkeli Adam - Director of Photography |
| 1954 | Private Hell 36 - Director of Photography |
| 1954 | Human Desire - Director of Photography |
| 1954 | The Bamboo Prison - Director of Photography |
| 1953 | İnsanlar Yaşadıkça - Director of Photography |
| 1953 | The Last Posse - Director of Photography |
| 1952 | Assignment: Paris - Director of Photography |
| 1952 | The Sniper - Director of Photography |
| 1952 | Scandal Sheet - Director of Photography |
| 1951 | The Family Secret - Director of Photography |
| 1951 | Two of a Kind - Director of Photography |
| 1951 | Sirocco - Director of Photography |
| 1950 | Emergency Wedding - Director of Photography |
| 1950 | Convicted - Director of Photography |
| 1950 | Issız Bir Yerde - Director of Photography |
| 1950 | Father Is a Bachelor - Director of Photography |
| 1949 | The Reckless Moment - Director of Photography |
| 1949 | And Baby Makes Three - Director of Photography |
| 1949 | Saltanat Hırsı - Director of Photography |
| 1949 | The Undercover Man - Director of Photography |
| 1949 | Knock on Any Door - Director of Photography |
| 1948 | The Gallant Blade - Cinematography |
| 1948 | The Sign of the Ram - Director of Photography |
| 1948 | To the Ends of the Earth - Director of Photography |
| 1947 | Framed - Director of Photography |
| 1947 | Johnny O'Clock - Director of Photography |
| 1946 | So Dark the Night - Director of Photography |
| 1946 | Gallant Journey - Director of Photography |
| 1946 | Night Editor - Director of Photography |
| 1946 | A Bird in the Head - Cinematography |
| 1946 | The Notorious Lone Wolf - Director of Photography |
| 1946 | Meet Me on Broadway - Cinematography |
| 1945 | My Name Is Julia Ross - Director of Photography |
| 1945 | Blonde from Brooklyn - Director of Photography |
| 1945 | Eve Knew Her Apples - Director of Photography |
| 1945 | I Love a Mystery - Director of Photography |
| 1945 | Eadie Was a Lady - Director of Photography |
| 1944 | Tahiti Nights - Director of Photography |
| 1944 | Kansas City Kitty - Cinematography |
| 1944 | The Soul of a Monster - Director of Photography |
| 1944 | Sailor's Holiday - Director of Photography |
| 1937 | You Only Live Once - Assistant Camera |
| 1935 | The Informer - Camera Operator |
| 1932 | The Conquerors - Camera Operator |
| 1927 | The Yankee Clipper - Assistant Camera |
| 1925 | The Iron Horse - Additional Photography |
Duvar