Profil Görüntüleri
1 Görüntüler
| Doğum yeri | Dublin, Ireland |
| Doğum günü | 1892-01-15 |
| Ölüm | 1950-07-21 |
| Ayrıca şöyle bilinir | Reginald Ingram Montgomery Hitchcock Rex Hitchcock |
Oy
Rex Ingram started his film career as a set designer and painter. His directorial debut was The Great Problem (1916). A true master of the medium, Ingram despised the business haggling required in the Hollywood system. He was also unhappy with the level of writing he found in American writers. This led him to work with such foreign writers as Vicente Blasco Ibáñez, which resulted in the first major role for the young Rudolph Valentino. Ingram was a great friend of Erich von Stroheim, who, like Ingram, was a great filmmaker, but often went way over budget. In 1924, Ingram moved to Nice, France, where, in his own studios, he directed films of his own choosing, often with his then-wife Alice Terry. In his later career he acted as a mentor to the young Michael Powell.
Oyuncu
| 1932 | Baroud as André Duval |
| 1926 | Camille as Charles Stewart Parnell |
| 1923 | Mary of the Movies as (uncredited) |
| 1915 | Snatched from a Burning Death as Chandler, the lover |
| 1915 | The Evil Men Do as Margaret's Companion |
| 1914 | The Moonshine Maid and the Man |
| 1913 | Beau Brummel |
Diğer Roller
| 1932 | Baroud - Director |
| 1932 | Baroud - Writer |
| 1932 | Baroud - Director |
| 1932 | Baroud - Producer |
| 1929 | L'évadée - Art Direction |
| 1929 | L'évadée - Producer |
| 1928 | The Three Passions - Director |
| 1928 | The Three Passions - Writer |
| 1927 | The Garden of Allah - Director |
| 1926 | The Magician - Adaptation |
| 1926 | The Magician - Director |
| 1926 | The Magician - Producer |
| 1926 | The Magician - Screenplay |
| 1926 | Mare Nostrum - Director |
| 1926 | Mare Nostrum - Producer |
| 1924 | The Arab - Director |
| 1924 | The Arab - Writer |
| 1923 | Scaramouche - Director |
| 1923 | Scaramouche - Producer |
| 1923 | Where the Pavement Ends - Adaptation |
| 1923 | Where the Pavement Ends - Director |
| 1922 | Trifling Women - Director |
| 1922 | Trifling Women - Writer |
| 1922 | The Prisoner of Zenda - Director |
| 1922 | The Prisoner of Zenda - Producer |
| 1922 | Turn to the Right - Director |
| 1921 | The Conquering Power - Director |
| 1921 | The Conquering Power - Producer |
| 1921 | The Four Horsemen of the Apocalypse - Director |
| 1920 | Hearts Are Trumps - Director |
| 1920 | Under Crimson Skies - Director |
| 1920 | Shore Acres - Director |
| 1919 | The Day She Paid - Director |
| 1918 | Humdrum Brown - Director |
| 1917 | The Little Terror - Director |
| 1917 | The Little Terror - Story |
| 1917 | The Flower of Doom - Director |
| 1917 | The Flower of Doom - Writer |
| 1917 | The Pulse of Life - Director |
| 1917 | The Pulse of Life - Writer |
| 1917 | The Reward of the Faithless - Director |
| 1917 | The Reward of the Faithless - Scenario Writer |
| 1917 | Black Orchids - Director |
| 1917 | Black Orchids - Scenario Writer |
| 1916 | The Chalice of Sorrow - Director |
| 1916 | The Chalice of Sorrow - Writer |
| 1916 | Broken Fetters - Director |
| 1916 | Broken Fetters - Scenario Writer |
| 1916 | Broken Fetters - Screenplay |
| 1916 | The Great Problem - Director |
| 1916 | The Great Problem - Scenario Writer |
| 1916 | The Great Problem - Writer |
| 1915 | The Galley Slave - Writer |
| 1915 | The Wonderful Adventure - Scenario Writer |
| 1915 | The Song of Hate - Writer |
| 1915 | Should a Mother Tell - Scenario Writer |
| 1915 | Should a Mother Tell - Story |
Duvar