Profil Görüntüleri
1 Görüntüler
| Doğum yeri | New York City, New York, USA |
| Doğum günü | 1895-04-06 |
| Ölüm | 1988-09-06 |
| Ayrıca şöyle bilinir | Harold G. Rosson Hal Rosson |
Oy
From Wikipedia Harold G. "Hal" Rosson, A.S.C. (April 6, 1895 – September 6, 1988) was an American cinematographer who worked during the early and classical Hollywood cinema. He is best known for his work on the 1939 fantasy film The Wizard of Oz. Harold Rosson began his film career in 1908 as an actor at the Vitagraph Studios in the Flatbush area of Brooklyn, New York City. He became the assistant to Irvin Willat at the Mark Dintenfass Studios. In 1912 he divided his time as an office boy in a stockbrokers firm and as an assistant, extra, and handyman at the Famous Players Studio in New York. His first film for Famous Players was David Harum (1915). In December 1914, Rosson moved to California and joined Metro Pictures. During World War I, he served in the United States Army. After his demobilization, he went to work on the Marion Davies film The Dark Star. He was offered a contract with the Davies Company. In 1920 he was signed by Mary Pickford, working primarily with her brother Jack Pickford. In the 1930s, Rosson signed with Metro-Goldwyn-Mayer and directed the photography for some of the studio's most popular films including Treasure Island (1934), The Wizard of Oz, Duel in the Sun, and Singin' in the Rain (1952). In 1936, Rosson and fellow cinematographer W. Howard Greene were awarded an Honorary Oscar for the color cinematography of the 1936 David O. Selznick production The Garden of Allah. Rosson later said it was the first time he attempted to film in color. After a very long and successful career in Hollywood, Rosson retired in 1958. He briefly came out of retirement in 1966 for the Howard Hawks film El Dorado starring John Wayne. Rosson was married twice, with both marriages ending in divorce, and had no children. While shooting the film Bombshell in 1933, actress Jean Harlow proposed to Rosson. The two had worked together previously on Red-Headed Woman, Dinner at Eight, Hold Your Man, and Red Dust and had struck up a friendship. On September 17, 1933, the two were married in Yuma, Arizona. In an interview with Leicester Wagner, Harlow recalled that she and Rosson grew closer after the death of her second husband, Paul Bern, and he encouraged her to go out and socialize. Rosson and Harlow separated in May 1934 with Harlow charging that Rosson was "rude, sullen and irritable". She was granted a divorce in March 1935. On October 11, 1936, Rosson married socialite Yvonne Crellin in Beverly Hills. They divorced in June 1945. On September 6, 1988, Rosson died, age 93, at his home in Palm Beach, Florida. He is buried in Hollywood Forever Cemetery.
Diğer Roller
| 1966 | Eldorado - Director of Photography |
| 1957 | Kanlı Deniz - Director of Photography |
| 1956 | Toward the Unknown - Director of Photography |
| 1956 | The Bad Seed - Director of Photography |
| 1955 | Pete Kelly's Blues - Director of Photography |
| 1955 | Strange Lady in Town - Director of Photography |
| 1954 | Kral Ülis'in Maceraları - Director of Photography |
| 1954 | Mambo - Director of Photography |
| 1953 | The Actress - Director of Photography |
| 1953 | Dangerous When Wet - Director of Photography |
| 1953 | The Story of Three Loves - Director of Photography |
| 1953 | I Love Melvin - Director of Photography |
| 1952 | Lone Star - Director of Photography |
| 1952 | Yağmur Altında - Director of Photography |
| 1952 | Love Is Better Than Ever - Director of Photography |
| 1951 | The Red Badge of Courage - Director of Photography |
| 1950 | To Please a Lady - Director of Photography |
| 1950 | Elmas Hırsızları - Director of Photography |
| 1950 | Key to the City - Director of Photography |
| 1949 | Denizciler geliyor - Director of Photography |
| 1949 | Any Number Can Play - Director of Photography |
| 1949 | The Stratton Story - Director of Photography |
| 1948 | Command Decision - Director of Photography |
| 1948 | Homecoming - Director of Photography |
| 1947 | The Hucksters - Director of Photography |
| 1947 | Living in a Big Way - Director of Photography |
| 1946 | Kanlı Aşk - Director of Photography |
| 1946 | Three Wise Fools - Director of Photography |
| 1946 | No Leave, No Love - Director of Photography |
| 1945 | Between Two Women - Director of Photography |
| 1944 | Thirty Seconds Over Tokyo - Director of Photography |
| 1944 | An American Romance - Director of Photography |
| 1943 | Slightly Dangerous - Director of Photography |
| 1942 | Tennessee Johnson - Director of Photography |
| 1942 | Somewhere I'll Find You - Director of Photography |
| 1941 | Johnny Eager - Director of Photography |
| 1941 | Honky Tonk - Director of Photography |
| 1941 | Washington Melodrama - Director of Photography |
| 1940 | Dr. Kildare Goes Home - Director of Photography |
| 1940 | Boom Town - Director of Photography |
| 1940 | I Take This Woman - Director of Photography |
| 1939 | Forgotten Victory - Director of Photography |
| 1939 | Oz Büyücüsü - Director of Photography |
| 1938 | Too Hot to Handle - Director of Photography |
| 1938 | That Mothers Might Live - Director of Photography |
| 1938 | A Yank at Oxford - Cinematography |
| 1937 | Double Wedding - Director of Photography |
| 1937 | The Emperor's Candlesticks - Director of Photography |
| 1937 | Captains Courageous - Director of Photography |
| 1937 | They Gave Him a Gun - Director of Photography |
| 1936 | The Devil Is a Sissy - Director of Photography |
| 1936 | As You Like It - Director of Photography |
| 1936 | The Man Who Could Work Miracles - Director of Photography |
| 1935 | The Ghost Goes West - Director of Photography |
| 1934 | The Scarlet Pimpernel - Director of Photography |
| 1934 | Treasure Island - Director of Photography |
| 1934 | The Cat and the Fiddle - Director of Photography |
| 1934 | This Side of Heaven - Director of Photography |
| 1933 | Bombshell - Director of Photography |
| 1933 | Penthouse - Director of Photography |
| 1933 | Turn Back the Clock - Director of Photography |
| 1933 | Hold Your Man - Director of Photography |
| 1933 | The Barbarian - Director of Photography |
| 1932 | Red Dust - Director of Photography |
| 1932 | Kongo - Director of Photography |
| 1932 | Downstairs - Director of Photography |
| 1932 | Red-Headed Woman - Director of Photography |
| 1932 | Maymun Adam Tarzan - Director of Photography |
| 1931 | The Cuban Love Song - Director of Photography |
| 1931 | Sporting Blood - Director of Photography |
| 1931 | Son of India - Director of Photography |
| 1931 | The Squaw Man - Director of Photography |
| 1931 | En cada puerto un amor - Cinematography |
| 1931 | Men Call It Love - Director of Photography |
| 1930 | Passion Flower - Director of Photography |
| 1930 | Madam Satan - Director of Photography |
| 1930 | This Mad World - Director of Photography |
| 1929 | South Sea Rose - Director of Photography |
| 1929 | Frozen Justice - Cinematography |
| 1929 | The Far Call - Cinematography |
| 1929 | Trent's Last Case - Director of Photography |
| 1929 | The Case of Lena Smith - Director of Photography |
| 1928 | Three Week Ends - Director of Photography |
| 1928 | The Docks of New York - Director of Photography |
| 1928 | The Sawdust Paradise - Director of Photography |
| 1928 | The Drag Net - Director of Photography |
| 1928 | Abie's Irish Rose - Director of Photography |
| 1928 | Gentlemen Prefer Blondes - Director of Photography |
| 1927 | Open Range - Cinematography |
| 1927 | A Gentleman of Paris - Director of Photography |
| 1927 | Service for Ladies - Director of Photography |
| 1927 | Rough House Rosie - Director of Photography |
| 1927 | Evening Clothes - Director of Photography |
| 1927 | Getting Gertie's Garter - Director of Photography |
| 1927 | Man Bait - Director of Photography |
| 1926 | Jim the Conqueror - Cinematography |
| 1926 | For Wives Only - Cinematography |
| 1926 | Almost a Lady - Director of Photography |
| 1926 | Up in Mabel's Room - Director of Photography |
| 1925 | The Little French Girl - Cinematography |
| 1925 | A Man Must Live - Director of Photography |
| 1925 | Too Many Kisses - Director of Photography |
| 1924 | Manhattan - Cinematography |
| 1924 | Manhandled - Director of Photography |
| 1923 | Big Brother - Director of Photography |
| 1923 | Zaza - Director of Photography |
| 1923 | The Glimpses of the Moon - Director of Photography |
| 1923 | Dark Secrets - Director of Photography |
| 1921 | Buried Treasure - Director of Photography |
| 1920 | Heliotrope - Camera Operator |
| 1919 | The Cinema Murder - Director of Photography |
| 1917 | The American Consul - Director of Photography |
| 1917 | Panthea - Director of Photography |
| 1916 | Oliver Twist - Director of Photography |
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