Profil Görüntüleri
1 Görüntüler
| Doğum yeri | London, England, UK |
| Doğum günü | 1885-11-17 |
| Ölüm | 1974-01-15 |
| Ayrıca şöyle bilinir | Charles Roscher Charles G. Rosher |
Oy
Charles G. Rosher, A.S.C. (November 17, 1885 – January 15, 1974) was a two-time Academy Award-winning cinematographer who worked from the early days of silent films through the 1950s. He was the first cinematographer to receive an Academy Award, along with 1929 co-winner Karl Struss. Charles Rosher was born in London in 1885. He studied photography in his youth but earned a reputation early as a newsreel cameraman, before moving to the United States in 1909. He subsequently found work for David Horsley working in his production company in New Jersey. Because early film was largely restricted to using daylight, Horsley relocated his production company to Hollywood in 1911, taking Rosher with him, and opened the first movie studio there. This made Rosher the first full-time cameraman in Hollywood. In 1913 he went to Mexico to film newsreel footage of Pancho Villa's rebellion. In 1918, he was one of the founders of the American Society of Cinematographers and served as the group's first Vice-President. In the 1920s he was one of the most sought-after cinematographers in Hollywood, and a personal favorite of stars such as Mary Pickford, working with her on films such as Suds (1920), Little Annie Rooney (1925), and even Coquette (1929), Pickford's first sound film. His work with Karl Struss on F.W. Murnau's 1927 film Sunrise: A Song of Two Humans is viewed as a milestone in cinematography. He shot five films for producer David O. Selznick, including Rockabye (1932), Our Betters (1933) and Little Lord Fauntleroy (1936). Rosher worked at several studios, but spent the last twelve years of his career exclusively at Metro-Goldwyn-Mayer, photographing such films as Annie Get Your Gun, Show Boat, Kiss Me Kate, and The Yearling. Rosher was the father of actress Joan Marsh and cinematographer Charles Rosher, Jr. Rosher died of an accidental fall in Lisbon, Portugal, on January 15, 1974. He was 88.
Diğer Roller
| 1955 | Jupiter's Darling - Director of Photography |
| 1953 | Kiss Me Kate - Director of Photography |
| 1953 | Young Bess - Director of Photography |
| 1953 | The Story of Three Loves - Director of Photography |
| 1952 | Scaramouche - Director of Photography |
| 1951 | Show Boat - Director of Photography |
| 1950 | Pagan Love Song - Director of Photography |
| 1950 | Annie Get Your Gun - Director of Photography |
| 1949 | East Side, West Side - Director of Photography |
| 1949 | The Red Danube - Director of Photography |
| 1949 | Neptune's Daughter - Director of Photography |
| 1948 | Words and Music - Director of Photography |
| 1948 | On an Island with You - Director of Photography |
| 1947 | Song of the Thin Man - Director of Photography |
| 1947 | Dark Delusion - Director of Photography |
| 1947 | Fiesta - Director of Photography |
| 1946 | The Yearling - Director of Photography |
| 1945 | Yolanda and the Thief - Director of Photography |
| 1945 | Güzeller Revüsü - Director of Photography |
| 1944 | Kismet - Director of Photography |
| 1943 | Swing Fever - Director of Photography |
| 1943 | Assignment in Brittany - Director of Photography |
| 1942 | Stand by for Action - Director of Photography |
| 1942 | Pierre of the Plains - Director of Photography |
| 1942 | Mokey - Director of Photography |
| 1941 | One Foot in Heaven - Director of Photography |
| 1941 | Milyonluk Bebek - Director of Photography |
| 1941 | Four Mothers - Director of Photography |
| 1940 | My Love Came Back - Director of Photography |
| 1940 | Three Cheers for the Irish - Director of Photography |
| 1940 | Brother Rat and a Baby - Director of Photography |
| 1939 | A Child Is Born - Director of Photography |
| 1939 | Espionage Agent - Director of Photography |
| 1939 | Hell's Kitchen - Director of Photography |
| 1939 | Yes, My Darling Daughter - Director of Photography |
| 1939 | Off the Record - Director of Photography |
| 1938 | Hard to Get - Director of Photography |
| 1938 | White Banners - Director of Photography |
| 1938 | Hollywood Hotel - Director of Photography |
| 1937 | The Perfect Specimen - Director of Photography |
| 1937 | The Woman I Love - Director of Photography |
| 1936 | Men Are Not Gods - Director of Photography |
| 1936 | Small Town Girl - Director of Photography |
| 1936 | Little Lord Fauntleroy - Director of Photography |
| 1935 | Broadway Melody of 1936 - Director of Photography |
| 1935 | Call of the Wild - Director of Photography |
| 1935 | After Office Hours - Director of Photography |
| 1934 | What Every Woman Knows - Director of Photography |
| 1934 | Outcast Lady - Director of Photography |
| 1934 | The Affairs of Cellini - Director of Photography |
| 1934 | Moulin Rouge - Director of Photography |
| 1933 | After Tonight - Director of Photography |
| 1933 | Bed of Roses - Director of Photography |
| 1933 | The Silver Cord - Director of Photography |
| 1933 | Our Betters - Director of Photography |
| 1933 | The Past of Mary Holmes - Cinematography |
| 1932 | Rockabye - Director of Photography |
| 1932 | Flaming Gold - Director of Photography |
| 1932 | Two Against the World - Director of Photography |
| 1932 | What Price Hollywood? - Director of Photography |
| 1931 | The Beloved Bachelor - Cinematography |
| 1931 | Silence - Director of Photography |
| 1931 | This Modern Age - Director of Photography |
| 1931 | Laughing Sinners - Director of Photography |
| 1931 | Dance, Fools, Dance - Director of Photography |
| 1930 | Paid - Director of Photography |
| 1930 | War Nurse - Director of Photography |
| 1930 | Atlantis - Director of Photography |
| 1930 | Zwei Welten - Director of Photography |
| 1930 | Les deux mondes - Director of Photography |
| 1930 | Two Worlds - Director of Photography |
| 1930 | The Price of Things - Director of Photography |
| 1930 | Knowing Men - Director of Photography |
| 1929 | La route est belle - Cinematography |
| 1929 | Atlantic - Director of Photography |
| 1929 | Atlantic - Director of Photography |
| 1929 | Eternal Love - Director of Photography |
| 1929 | The Vagabond Queen - Director of Photography |
| 1928 | Tempest - Director of Photography |
| 1927 | Şafak - Director of Photography |
| 1927 | My Best Girl - Director of Photography |
| 1926 | Sparrows - Director of Photography |
| 1925 | Little Annie Rooney - Director of Photography |
| 1924 | Three Women - Director of Photography |
| 1924 | Dorothy Vernon of Haddon Hall - Director of Photography |
| 1923 | Rosita - Director of Photography |
| 1922 | Tess of the Storm Country - Director of Photography |
| 1922 | Smilin' Through - Director of Photography |
| 1921 | Little Lord Fauntleroy - Director of Photography |
| 1921 | Through The Back Door - Director of Photography |
| 1921 | The Love Light - Director of Photography |
| 1920 | Dinty - Director of Photography |
| 1920 | Suds - Director of Photography |
| 1920 | Pollyanna - Director of Photography |
| 1919 | The Hoodlum - Director of Photography |
| 1919 | Daddy-Long-Legs - Director of Photography |
| 1918 | Johanna Enlists - Director of Photography |
| 1918 | How Could You, Jean? - Director of Photography |
| 1918 | The Honor of His House - Director of Photography |
| 1918 | The Widow's Might - Director of Photography |
| 1917 | The Secret Game - Director of Photography |
| 1917 | A Little Princess - Director of Photography |
| 1917 | At First Sight - Director of Photography |
| 1917 | A Mormon Maid - Director of Photography |
| 1916 | Common Ground - Director of Photography |
| 1916 | The Clown - Camera Operator |
| 1915 | Carmen - Camera Operator |
| 1915 | Blackbirds - Director of Photography |
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