Profil Görüntüleri
| Doğum yeri | Huntington, Indiana, USA |
| Doğum günü | 1902-08-19 |
| Ölüm | 1971-10-31 |
| Ayrıca şöyle bilinir | Robert Planck |
Oy
Oyuncu
| 1941 | You Can't Fool a Camera as Himself (as Robert Planck) |
Diğer Roller
| 1958 | The Girl Most Likely - Director of Photography |
| 1957 | Jeanne Eagels - Director of Photography |
| 1957 | The Young Stranger - Director of Photography |
| 1956 | Diane - Director of Photography |
| 1955 | The King's Thief - Cinematography |
| 1955 | Moonfleet - Director of Photography |
| 1955 | Poet and Peasant Overture - Cinematography |
| 1954 | Athena - Director of Photography |
| 1954 | M-G-M Jubilee Overture - Cinematography |
| 1953 | Overture to The Merry Wives of Windsor - Cinematography |
| 1953 | Things We Can Do Without - Director of Photography |
| 1953 | Torch Song - Director of Photography |
| 1953 | Scandal at Scourie - Director of Photography |
| 1953 | Remains to Be Seen - Director of Photography |
| 1953 | Lili - Director of Photography |
| 1952 | The Belle of New York - Cinematography |
| 1951 | Texas Carnival - Director of Photography |
| 1951 | Royal Wedding - Director of Photography |
| 1950 | Summer Stock - Director of Photography |
| 1950 | Please Believe Me - Director of Photography |
| 1949 | The Doctor and the Girl - Director of Photography |
| 1949 | Madame Bovary - Director of Photography |
| 1949 | Küçük Kadınlar - Director of Photography |
| 1948 | The Three Musketeers - Director of Photography |
| 1946 | Love Laughs at Andy Hardy - Director of Photography |
| 1946 | Up Goes Maisie - Director of Photography |
| 1945 | Week-End at the Waldorf - Director of Photography |
| 1945 | Gönül Kimi Severse - Director of Photography |
| 1944 | Maisie Goes to Reno - Director of Photography |
| 1944 | The Canterville Ghost - Director of Photography |
| 1944 | The White Cliffs of Dover - Director of Photography |
| 1943 | Girl Crazy - Director of Photography |
| 1943 | Above Suspicion - Director of Photography |
| 1942 | Reunion in France - Director of Photography |
| 1942 | Eyes in the Night - Director of Photography |
| 1942 | Her Cardboard Lover - Director of Photography |
| 1942 | Ship Ahoy - Director of Photography |
| 1941 | When Ladies Meet - Director of Photography |
| 1941 | A Woman's Face - Director of Photography |
| 1940 | Escape - Director of Photography |
| 1940 | Susan and God - Director of Photography |
| 1940 | Strange Cargo - Director of Photography |
| 1939 | Time Out for Lessons - Director of Photography |
| 1939 | The Man in the Iron Mask - Director of Photography |
| 1938 | The Duke of West Point - Director of Photography |
| 1938 | Always Goodbye - Director of Photography |
| 1938 | Kentucky Moonshine - Director of Photography |
| 1937 | Thin Ice - Director of Photography |
| 1937 | This Is My Affair - Director of Photography |
| 1937 | We Who Are About to Die - Cinematography |
| 1936 | The Last of the Mohicans - Director of Photography |
| 1935 | Red Salute - Director of Photography |
| 1935 | The Melody Lingers on - Cinematography |
| 1934 | Ekmek Kavgası - Director of Photography |
| 1934 | The Moonstone - Director of Photography |
| 1934 | Money Means Nothing - Director of Photography |
| 1933 | Una viuda romántica - Director of Photography |
| 1933 | It's Great to Be Alive - Cinematography |
| 1931 | The Secret Witness - Director of Photography |
| 1930 | Reaching for the Moon - Cinematography |
| 1930 | The Bat Whispers - Director of Photography |
| 1930 | Be Yourself! - Director of Photography |
Duvar