Profil Görüntüleri
1 Görüntüler
| Doğum yeri | Okayama, Okayama Prefecture, Japan |
| Doğum günü | 1898-04-26 |
| Ölüm | 1970-08-07 |
| Ayrıca şöyle bilinir | Тому Утида |
Oy
Uchida started out at the Taikatsu studio in the early 1920s, but came to prominence at Nikkatsu, adapting literary works with the screenwriter Yasutarō Yagi in a realist style. His 1929 film A Living Puppet (Ikeru ningyo) was selected as the fourth best film of the year by the film journal, Kinema Junpo. Many of his 1930s films featured the actor Isamu Kosugi. One such work, Policeman (Keisatsukan), has been called "a tremendously stylish gangster movie about the love-hate relationship between a cop and a criminal, once childhood friends" It is Uchida’s only surviving complete silent film. Uchida borrows from Hollywood gangster films and expressionist techniques in a story of a young policeman tracking down an old friend who is now a criminal. His work from the 1920 and 1930s possess a leftist social commentary and were often some of the most critically acclaimed films of the time. Kinema Junpo selected Jinsei Gekijo as the number two film of 1936, Karininaki Zenshin as the best film of 1937, and Tsuchi as the best film of 1939. The latter was praised for its realistic depiction of the lives of poor Meiji-period tenant farmers. Unfortunately, few of Uchida's prewar works survive in their entirety. In 1941, Uchida quit the Nikkatsu studio, and after failing to start his own production company, in 1943 began to work with the Manchukuo Film Association, although he never completed a film there. In 1945 he was taken prisoner and held in Manchuria until 1954, when he returned to Japan. Upon he return, he joined the Toei studio. His post-war movies reveal a strong genre stylist with no immediately discernible themes, much like many golden-age Hollywood directors. Uchida effortlessly directed chamber dramas, comedies, and samurai epics, often in color, and with a forward-looking dose of irony.
Diğer Roller
| 1971 | 真剣勝負 - Director |
| 1968 | 人生劇場 飛車角と吉良常 - Director |
| 1965 | 宮本武蔵 巌流島の決斗 - Director |
| 1965 | 宮本武蔵 巌流島の決斗 - Screenplay |
| 1965 | 飢餓海峡 - Director |
| 1964 | 宮本武蔵 一乗寺の決斗 - Adaptation |
| 1964 | 宮本武蔵 一乗寺の決斗 - Director |
| 1963 | 宮本武蔵 二刀流開眼 - Director |
| 1963 | 宮本武蔵 二刀流開眼 - Screenplay |
| 1962 | 宮本武蔵 般若坂の決斗 - Adaptation |
| 1962 | 宮本武蔵 般若坂の決斗 - Director |
| 1962 | 恋や恋なすな恋 - Director |
| 1961 | 宮本武蔵 - Director |
| 1960 | 妖刀物語 花の吉原百人斬り - Director |
| 1960 | 酒と女と槍 - Director |
| 1959 | 浪花の恋の物語 - Director |
| 1959 | 大菩薩峠 完結篇 - Director |
| 1958 | 森と湖のまつり - Director |
| 1958 | 大菩薩峠 第二部 - Director |
| 1957 | どたんば - Director |
| 1957 | どたんば - Screenplay |
| 1957 | 大菩薩峠 - Director |
| 1957 | 暴れん坊街道 - Director |
| 1956 | 逆襲獄門砦 - Director |
| 1956 | 黒田騒動 - Director |
| 1955 | 自分の穴の中で - Director |
| 1955 | たそがれ酒場 - Director |
| 1955 | 血槍富士 - Director |
| 1940 | 歴史 第一部 - Director |
| 1939 | 土 - Director |
| 1937 | 限りなき前進 - Director |
| 1937 | 裸の町 - Director |
| 1936 | 生命の冠 - Director |
| 1936 | 人生劇場 青春篇 - Director |
| 1934 | 河の上の太陽 - Director |
| 1933 | 警察官 - Director |
| 1931 | 仇討選手 - Director |
| 1931 | ジャンバルジャン 後篇 - Director |
| 1931 | ジャンバルジャン 前篇 - Director |
| 1930 | 天国其日帰り - Director |
| 1929 | 汗 - Director |
| 1929 | 生ける人形 - Director |
| 1927 | 漕艇王 - Director |
| 1925 | 蟹満寺縁起 - Director |
| 1925 | 少年美談 清き心 - Director |
| 1922 | 噫小西巡査 - Director |
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